Showing results for "After Digital" in Film & TV

Read by John Cleese with an introduction by Michael Palin. This is the story of how a tall, shy youth from Weston-super-Mare went on to become a self-confessed legend. En route, John Cleese describes his nerve-racking first public appearance, at St Peter’s Preparatory School at the age of...

Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

Walt Disney left behind big dreams when he died in 1966. Perhaps none was greater than the hope that his son-in-law, Ron Miller, would someday run his studio. Under Miller’s leadership, Disney expanded into new frontiers: global theme parks, computer animation, cable television, home video, and video games. Despite these innovations, Ron struggled to expand the Disney brand beyond its midcentury image of wholesome family entertainment, even as times and tastes evolved. 

Growing up, Pat O'Brien was the skinny Midwestern kid with the divorced parents and the alcoholic father. He drove himself to the University of South Dakota after finishing his last late-night shift and moved in while his roommate was asleep. His life was unceremonious - until he was picked up in the student center by a professor who envisioned his future as the household television name he would become.

Analysis of cinema criticizing the Egyptian situation during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artistic works, analysis of the artistic production process, and how cinema criticizing the Egyptian situation was presented through cinema at that time, and why.