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As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.

Tommy West is the finest Elvis Presley tribute in the North West of England. At least, that's what is says on his van. Off stage however, his life is a mess. He can't pay his rent, his child maintenance is crippling him, and his old Bedford needs new tyres. Tommy is broke, drinks too much Guinness, smokes too much weed and is frightened of his own shadow.

The King of Rock 'n' Roll lives! And he's Josh's dad. When 13-year-old Josh finds out that he has to stay with his dad in Chicago for a few months, he's not too thrilled. But when he arrives at the airport, he's simply devastated. His father - who used to be a scatterbrained but pretty normal shoe salesman - has become...Elvis. Well, a sideburn-wearing, hip-twisting, utterly embarrassing Elvis impersonator. Josh is determined to keep his dad's identity a secret, but on his very first day at his new school, a note appears on his locker.

The national debate over popular music's effect on character is both furious and confused. Conservatives complain primarily about lyrics, appealing to public decency and safety. Liberals, swift to the defense of any self-expression, simultaneously celebrate rock's liberating ethos and deny its cultural influence.