Showing results for "Anna" in Women

En Historia Viva, Hillary Rodham Clinton describe con franqueza, humor, pasión sobre su formación como mujer durante una agitada época de cambios sociales y políticos en los Estados Unidos y sobre sus años en la Casa Blanca. Cuenta la historia de su aventura de treinta años en el amor y la política junto a Bill Clinton, en la que logró sobrevivir a traiciones personales, investigaciones partidistas si tregua y el escrutinio constante del público.

Anna Grau cuenta una sensacional historia de amor, la suya, que contiene a su vez muchas historias más y que entrelaza recuerdos y testimonios, vivencias y presencias, leyendas urbanas por aclarar y secretos por descubrir. Es un homenaje a un hombre mucho más famoso que conocido —Fernando Sánchez Dragó— y un tributo a toda una generación de mujeres que se creían que ya tenían la libertad hecha y luego han tenido que ponerse el mundo por montera para seguir el camino del corazón sin renunciar al de la cabeza.

Anna Prushinskaya explores the deep life shifts of pregnancy, birth and motherhood in the United States, a world away from the author's Soviet homeland. Drawing from inspirations as various as midwife Ina May Gaskin, writer and activist Alice Walker, and frontierswoman Caroline Henderson, Prushinskaya captures the inherent togetherness of motherhood alongside its accompanying estrangement. She plumbs the deeper waters of compassion, memory and identity, as well as the humorous streams of motherhood as they run up against the realities of work and the ever-present eye of social media.

Der Mann, in den ich mich verliebt hatte, und mit dem ich sogar verlobt war, war ein Betrüger, und als er durch einen dummen Zufall erwischt wurde, kam plötzlich sein Wahnsinn zum Vorschein. Mein Leben bestand nur noch aus Schikanen und es wurde immer unerträglicher. Je mehr ich nachforschte, desto mehr Scheußlichkeiten deckte ich auf.

Eine Frau vor ihrer Zeit – die berührende Suche nach dem Leben der eigenen Urgroßmutter Tief im Sauerland, 1887. Eine junge Frau kommt den Weg hinauf ins Dorf Cobbenrode. Dort soll Anna Kalthoff die neue Lehrerin werden. Doch sie wird es nicht bleiben. Denn Anna widersetzt sich bald den Erwartungen des Ortes und den Regeln ihrer Zeit. Sie entscheidet selbst, was sie zu tun und zu lassen hat, wie sie leben und wen sie lieben will. Und es wird ihr nicht schaden. Zwei Jahrhunderte später ist diese inspirierende Frau schon fast gänzlich in der Vergangenheit versunken.

Die Historikerin Anna Maria Sigmund zeichnet in ihrem Bestseller acht eindringliche Porträts von Frauen in herausragender gesellschaftlicher Position des NS-Terrorregimes, darunter Emmy Göring, Magda Goebbels, Eva Braun und Leni Riefenstahl. Diese Neuausgabe überrascht mit zahlreichen neuen Erkenntnissen aus lange verschlossenen Archiven und neu aufgefundenen Quellen.

Dumped by her husband of twenty-five years, Jo Peck—smart, successful, and sixty—is totally floored. There's the complete bombshell of the news, the cliché of a younger woman—a much younger woman—there's the disappointment of cancelled retirement travel plans, and there's the foundation-rocking loss of her sense of identity—if she's no longer Rex's wife, who the hell is she?

She was the most outlandish, outrageous, in-your-face symbol of the age—and suddenly, shockingly, she was gone. In life her antics, adventures, and behavior kept a nation riveted; in death she stunned a world gripped by the surprise and swiftness of her unexpected passing. The woman was, of course, Anna Nicole Smith.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Anna grew up in a house that was loving, even if her mum was ‘a little eccentric’. They knew to keep things clean, to stay quiet, and to look the other way when things started to get ‘a bit much for your mum’. It’s only when her mother reaches her 70s and Anna has a family of her own, that the cracks really start to appear. More manic. More irrational. More detached from the world. And when her father, the man who has calmed and cajoled her mother through her entire life is diagnosed with cancer, the whole world turns upside down.

Anna May Wong remains one of Hollywood’s best-known Chinese American actors. Between 1919 and 1960, Anna May Wong starred in over fifty movies, sharing billing with stars such as Douglas Fairbanks Sr., Marlene Dietrich, Joan Crawford, Ramon Novarro, and Warner Oland. Her life, though, is the prototypical story of an immigrant’s difficult path through the prejudices of American culture. In a narrative that recalls the pathos of life in LA's Chinese neighborhoods and the glamour of Hollywood’s pleasure palaces, Graham Russell Gao Hodges recovers the life of a Hollywood legend.

Ci sono vite che per loro natura sono fatte di percorsi imprevedibili, di sconfitte dolorose a cui seguono vittorie sorprendenti, di inattese battute d’arresto e di ripartenze costanti. La forma di queste vite, costellate di colpi di scena, le rende simili a romanzi appassionanti e indimenticabili. Ed è così la vita di Anna Prouse. Cresciuta in una buona famiglia milanese, da una madre feroce e un padre gentile, ha sedici anni ed è felice solo sul campo da tennis, dove le viene pronosticato un futuro da campionessa.

Mon histoire est simple, claire comme de l'eau de roche. À partir de 2013, j'ai pris 58 kilos. Vous avez bien lu. En quelques mois je suis devenue énorme. 126 kilos, ça pèse. Le 1er mars 2023, j'ai décidé de tout perdre parce que je n'avais pas envie de mourir. Et pour ça, je me suis sevrée du sucre. Je voulais avoir une vie que j'aime, danser, courir, m'habiller... Mais avant tout, je voulais être de nouveau heureuse. L'obésité est une île : j'y ai vécu décentrée du monde, mais surtout de moi-même. Pour moi, la quitter c'était me retrouver, et rejoindre le continent des gens qui vont bien.

In this irresistible memoir, the New York Times bestselling author and winner of the Pulitzer Prize Anna Quindlen writes about looking back and ahead—and celebrating it all—as she considers marriage, girlfriends, our mothers, faith, loss, all the stuff in our closets, and more. As she did...

Love Turned Criminal is a raw memoir about the warning signs of abuse as well as a beacon of hope to all people in similar situations, letting them know they are not alone and there is a way out.

The English Governess at the Siamese Court, written in 1870, vividly recounts the experiences of one Anna Harriette Leonowens as governess for the sixty-plus children of King Mongkut of Siam, and translator and scribe for the King himself. Bright, young, and energetic, Leonowens was well-suited to her role and her writings convey a heartfelt interest in the lives, legends, and languages of Siam's rich and poor.

Att ha katt - för Anna-Lena är det lika självklart som lakan i sängen. Inte nödvändigt, men bättre med än utan. Och många katter har hon hunnit frottera sig med genom åren, både egna och andras. I trettiosju berättelser får vi här följa hennes vilda kattäventyr från barndomen och framåt. Möten med hämndlystna katter. Katter som liftar. Katter som förälskar sig i hundar och katter som jobbar i filmbranschen.

Anna Del Conte brought Italian cooking to Britain at a time when the nearest most of us came to pasta was a Heinz spaghetti hoop. Sharply observant, evocative, full of tastes and talk of food, hers is a delicious, poignant memoir of an unusual life and the food she loves to cook, which launched a culinary revolution.She arrived in England in 1949 when much of Britain was a culinary wasteland, married an Englishman, and stayed on.

Warned not to write—and certainly not to bite—these women put pen to paper anyway and wrote themselves into history. From the fourteenth century through to the present day, women who write have been understood as mad, undisciplined, or dangerous. Female writers have always had to find ways to overcome or challenge these beliefs. Some were cautious and discreet, some didn’t give a damn, but all lived complex, eventful, and often controversial lives.

An icon. A household name. One of our best-loved actors. Noni Hazlehurst is finally telling a story of her own. A fourth-generation performer, Noni Hazlehurst has storytelling in her blood. She has graced our screens, stages and airwaves for fifty years - and won our hearts and respect in the...