Showing results for "Arts" in World

"Despite Diversity Controversy, Oscars Ceremony Remains Intact
" is from the Entertainment section of The New York Times. It was written by Michael Cieply and narrated by Fleet Cooper.

Abridged for audio. Read by the author, Clive James. With fascinating essays on towering figures from Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Wittgenstein, Cultural Amnesia is one of the crowning achievements in Clive James's illustrious career as a critic...

The Russian invasion of Crimea in 2014, subsequent war in Eastern Ukraine, and economic sanctions imposed by the West transformed European politics. The conflict did not escalate to the levels originally feared but nor was either side able to bring it to a definitive conclusion. Ukraine suffered a loss of territory but was not forced into changing its policies away from the Westward course adopted as a result of the EuroMaidan uprising of February 2014. President Putin was left supporting a separatist enclave as Russia's economy suffered significant damage.

"The Art of Condolence" is from the October 01, 2016 Lifestyle section of The New York Times. It was written by Bruce Feiler and narrated by Paul Ryden.

"The Art of the Scam" is from the December 04, 2016 Opinion section of The New York Times. It was written by Paul Krugman and narrated by Kristi Burns.

"The Art of Making (and Not Making) Plans" is from the October 14, 2016 Lifestyle section of The New York Times. It was written by Verena Von Pfetten and narrated by Paul Ryden.

"Olympic Moments, through Art" is from the August 12, 2016 Sports section of The New York Times. It was written by Melena Ryzik and narrated by Paul Ryden.

"The Mission to Save Vanishing Internet Art" is from the October 21, 2016 Entertainment section of The New York Times. It was written by Frank Rose and narrated by Paul Ryden.

"Taking a Transnational Approach to Modern Art" is from the March 16 2016, Entertainment section of The New York Times. It was written by Edward M. Gomez and narrated by Fleet Cooper.

"In Search of the Entry-Level Art Buyer" is from March 20, 2016, Arts section of The New York Times. It was written by Scott Reyburn and narrated by Kristi Burns.

"Political Art in a Time of Barbed Divisions" is from the July 17, 2016 Arts section of The New York Times. It was written by Randy Kennedy and narrated by Sam Scholl.

"Allowing His Art to Deliver a Final Message" is from the Arts section of The New York Times. It was written by Joe Coscarelli and Michael Paulson and narrated by Fleet Cooper.

"A Super PAC Where Art Meets Politics" is from the April 24, 2016 Arts section of The New York Times. It was written by Celia Mcgee and narrated by Kristi Burns.

"Flossing and the Art of Scientific Investigation" is from the November 27, 2016 Opinion section of The New York Times. It was written by Jamie Holmes and narrated by Fleet Cooper.

"Collecting Street Art: Have Room on Your Wall for a Wall?" is from the July 08, 2016, Arts section of The New York Times. It was written by Paul Sullivan and narrated by Barbara Benjamin-Creel.

"Art Basel Hong Kong Opens to Less Frenzy" is from the March 25, 2016, Arts section of The New York Times. It was written by Amy Qin and narrated by Fleet Cooper.

"Art Brings New Life to Muslim Neighborhood" is from the May 31, 2016 Arts section of The New York Times. It was written by Doreen Carvajal and narrated by Caroline Miller.

"An Art Exhibit Based on a Migrant Tragedy Stirs Unease in Austria" is from the September 4, 2016 World section of The New York Times. It was written by Palko Karasz and narrated by Caroline Miller.

The world-renowned scholar and author of Vermeer’s Hat does for China what Mary Beard did for Rome in SPQR: Timothy Brook analyzes the last eight centuries of China’s relationship with the world in this magnificent history that brings together accounts from civil servants, horse traders...

"Walid Raad's Unreality Show Spins Middle Eastern History as Art" is from the Entertainment section of The New York Times. It was written by Holland Cotter and narrated by Kristi Burns.