Showing results for "Arts" in Media Studies

Carolin Kebekus nimmt sich selbst, die Gesellschaft und alle Mütter und Väter aufs Korn, denn beim Kinderkriegen und Kinderhaben haben offenbar alle ungefragt ein Wörtchen mitzureden. Warum Schwangerschaft und Geburt immer noch mit vielen Tabus und falschen Annahmen behaftet sind, was einem als Schwangere und Mutter so alles passieren und entgegengeschleudert werden kann, was man so hört und liest und ungefragt gesagt bekommt, weil es tatsächlich alle besser wissen – das beschreibt dieses Hörbuch mit einer gehörigen Portion Selbstironie und dennoch unbeirrbarem Blick.

Penguin presents the audiobook edition of How to See the World, A Pelican Book, by Nicholas Mirzoeff, read by Jonathan Keeble. In recent decades, we have witnessed an explosion in the number of visual images we encounter, as our lives have become increasingly saturated with screens. From Google...

A field guide to the visionaries and the fans who are reinventing the art of storytelling. Not long ago we were spectators, passive consumers of mass media. Now, on YouTube and blogs and Facebook and Twitter, we are media. And while we watch more television than ever before, how we watch it is changing in ways we have barely slowed down to register. No longer content in our traditional role as couch potatoes, we approach media as experiences to immerse ourselves in at will.

With Amazon's growing power in both bookselling and publishing, considering where and how we get our books is more important now than ever. The simple act of putting a book in a reader's hands—what booksellers call handselling—becomes a catalyst for an exploration of the moral, financial, and political pressures all indie bookstores face.

The best, the fastest, the hippest and the most unorthodox account ever published of the US presidential electoral process in all its madness and corruption. In 1972 Hunter S. Thompson, the creator and king of Gonzo journalism, covered the US presidential campaign for Rolling Stone magazine...

A celebration of Ms.—the most startling, most audacious, most norm-breaking of the magazine's groundbreaking pieces on women, men, politics (sexual and otherwise), marriage, family, education, work, motherhood, and reproductive rights, as well as the best of the magazine’s fiction, poetry...

A lively, inside look at how Bollywood, Turkish soap operas, and K-Pop are challenging America's cultural dominance around the world. There is a vast cultural movement emerging from beyond the Western world. Truly global in its range and allure, it is the biggest challenge yet to Hollywood...

What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy."

Am 5. Dezember 1945 starteten fünf Bombenflugzeuge der amerikanischen Marine zu einem Übungsflug von Fort Lauderdale in Florida. Sie kehrten niemals zurück. Ihre Spur verlor sich unter mysteriösen Umständen im Bermuda-Dreieck. Die Weltöffentlichkeit wurde aufmerksam. Nirgendwo auf der Welt verschwinden so viele Menschen auf so geheimnisvolle Weise wie im Bermuda-Dreieck. Vor allem in den Jahren nach 1945 wurden zahllose Unfälle und Vorfälle registriert, die unter unerklärlichen Umständen abliefen.