Showing results for "Bowls" in Genre Fiction

A haunting debut novel about a psychically shattered patrician New England family and one of its sons, implicated in the mysterious death of his alcoholic father. The time is the 1990s. Simon Curtis, in his mid-thirties, is a painter, a yearning, troubled loner still burdened with the unfinished business of childhood. He seeks refuge for the summer in his family’s house in Maine, and then, for the fall, in their place in Massachusetts - despite his father’s insistence that he is not welcome.

Young Bhryen's investigation of a stolen item plunges him into a world of forbidden magic and dark powers. Unknown to Bhryen, the crown of Ellaria is already in trouble, as sorcerous powers and the threat of war gathers around eating into the fabric of its fragile peace. Bhryen discovers that he possesses a dangerous gift. With the help of the fey, young boy J'arik, he must learn to master this gift while keeping it a secret from the temple. Though forbidden by the temple laws, using Bhryen's new found gift might be the only thing that can save them all.

Kicked out of Yale at age 14, the precocious Judd Breslau takes a questionable job from the eccentric Phillips Chatterton, a bathrobe-wearing Egyptologist working out of a dilapidated home laboratory. There, he falls for young Valerie Chatterton, who quickly leads Breslau away from his research.

Mason Lot's secluded sanctuary has been a haven for him and his group. They have survived the first two waves of the Great Tribulation, but the final assault, known as the Seven Bowl of God’s Wrath will bring about a level of death and destruction never before seen by mankind. Festering sores will break out on the bodies of unbelievers, water will turn to blood, and the planet will be scorched by the heat of the sun and plunged into utter darkness, heralding the end of days.

The St. Charles Players present a unique telling of Henry James' classic tale of relationships and their imperfections, in a new multi-cast dramatization performed in exciting Radio Theatre style.

Anton and Liam are the Eric and Ernie of the fish world. Liam is a slippers-and-cardigan, Friday-night-in-with-a-Dick Francis-and-a-box-of-Terry’s-All-Gold kind of goldfish; whereas Anton is erudite, philosophical, sophisticated and fluent in several languages. Thrown together by fate, their only company in their bowl is some gravel and a little plastic castle as they closely observe the tumultuous relationship between their owners, Martin and Susan. In these two series, Liam and Anton contemplate the meaning of their existence, ponder the concept of time, and learn about sex.

The Cut Glass Bowl is the story of the beautiful but ill-fated Evelyn Piper, who succumbs to the power of a cut glass bowl - a wedding gift from a spurned former beau. It is a unique and powerful portrait depicting how frivolous choices can lead to deterioration and loss of all that one loves. It was written by F. Scott Fitzgerald in 1920 as a short story for Colliers magazine.

Already suffering the privations of the 1930s Dust Bowl, an Oklahoma town is further devastated when a passenger train derails—flooding its hospital with the dead and maimed. Among the seriously wounded is Etha, wife of Sheriff Temple Jennings. Overwhelmed by worry for her, the sheriff must regain his footing to investigate the derailment, which rapidly develops into a case of sabotage.

Ten-year-old Pearl Spence is a daydreamer, playing make-believe to escape life in Oklahoma's Dust Bowl in 1935. The Spences have their share of misfortune, but as the sheriff's family, they've got more than most in this dry, desolate place. They're who the town turns to when there's a crisis or a need. Pearl is proud of her loving, strong family, though she often wearies of tracking down her mentally impaired older sister or wrestling with her grandmother's unshakable belief in a God. Then a mysterious man bent on revenge tramps into her town of Red River.

7:07 Uhr - Identitätsverlust - wer zur Hölle ist er - Christoph Kayser oder Max Mustermann? Statt im Callcenter soll er plötzlich als Erpresser arbeiten. Ständig wechselnde Perspektiven stellen immer mehr infrage, ob er nun Max, Christoph oder doch jemand ganz anders ist. Wer soll er sein? Wer will er sein? Und wer trifft diese Entscheidung - gibt es überhaupt eine Wahl? Das Selbstbild immer als Gegenspieler, versucht er, die Puzzleteile seiner Identität im Alltag einer offensichtlich völlig absurden Welt wiederzufinden.