Showing results for "Brian" in World Literature

American writer Samuel Clemens, better known by his pen name Mark Twain has given us some literary gems with Tom Sawyer, Huckleberry Finn and his travel adventures in 19th-century Europe and to Australia and New Zealand. In How to Tell a Story and Other Essays, Twain discusses the telling of stories, rather than providing more stories.

The story is set in the Ptolemaic era of ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the priesthood of Isis. The main character, Harmachis (the living descendant of this bloodline), is charged by the priesthood with overthrowing the supposed impostor - Cleopatra - driving out the Romans, and restoring Egypt to its golden era.

Anthony C. Yu’s translation of The Journey to the West, initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures.

Ryokan (1758–1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him.

Jun Nakayama was a silent-film star in the early days of Hollywood. By 1964, he is living in complete obscurity, until a young writer, Nick Bellinger, tracks him down for an interview. When Bellinger reveals that he has written a screenplay with Nakayama in mind, Jun is intrigued by the possibility of returning to movies. But he begins to worry that someone might delve too deeply into the past and uncover the events that abruptly ended his career in 1922. Like the changing social and racial tides in California - and the unsolved murder of his favorite director.

A haunting meditation on love, loss, companionship, and finding one’s way through the dark, Raymond Carver’s What We Talk About When We Talk About Love is one of the most important and influential short story collections in contemporary literature. In his entry in the esteemed Bookmarked series, acclaimed author Brian Evenson offers his personal and literary take on this classic Carver collection.

Mark Twain composed this short essay on the "art of lying" in 1885 for a meeting of the Historical and Antiquarian Club of Hartford, Connecticut. In the essay, Twain laments the four ways in which men of America's Gilded Age employ man's "most faithful friend". The essay, Twain notes, was "offered for the thirty-dollar prize," but it "did not take the prize."

Wang Er, a twenty-one-year-old ox herder, is shamed by the local authorities and forced to write a confession of his crimes, but he instead takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone and humbled, Wang Er must come to terms with the banality of his own existence.

In The Sketch-Book of Geoffrey Crayon (1820-21), Irving explores the uneasy relationship of an American writer to English literary traditions. In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories: "Rip Van Winkle" and "The Legend of Sleepy Hollow".

Early one morning, a body is found lying next to the railway tracks just outside of Kuki Station in Saitama Prefecture, shot dead. It is identified as belonging to the owner of a local mill which is embroiled in a labour dispute. Suspicion initially falls on the workers' union, then on a new religious sect that has been gaining followers recently. Chief Inspector Onitsura and his assistant Tanna are called in to investigate, and soon set off in a journey across Japan, from Tokyo to Kyoto and Osaka, and finally to the island of Kyushu, in a hunt for the killer.

Anthony C. Yu’s translation of The Journey to the West, initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures.

Anthony C. Yu’s translation of The Journey to the West, initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures.

In The Gateless Gate, one of modern Zen Buddhism’s uniquely influential masters offers classic commentaries on the Mumonkan, one of Zen’s greatest collections of teaching stories. This translation was compiled with the Western listener in mind, and includes Koan Yamada’s clear and penetrating comments on each case. Yamada played a seminal role in bringing Zen Buddhism to the West from Japan, going on to be the head of the Sanbo Kyodan Zen Community.

From the New York Times bestselling author of Women of the Silk and The Samurai's Garden comes a gorgeous and evocative historical novel about a Japanese-American family set against the backdrop of Hawai’i's sugar plantations. Daniel Abe, a young doctor in Chicago, is finally coming back to...

'Brian Bilston is a laureate for our fractured times.' Ian McMillan 'Someone who knows their way round both a joke and a bittersweet narrative.' The Times 'Part John Cooper Clarke, part Frank Sidebottom . . . all brilliant.' Esquire 'Bilston is a magician with words' Guardian Alexa, what is...

Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it's time for him to retire and find his replacement. He discovers a kindred spirit in Mitsuya Majime - a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics - whom he swipes from his company's sales department.

Barbara is a major in the Salvation Army - but she's also the daughter of Andrew Undershaft, a man who's made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!

Known as the 'Irish Chekhov', Brian Friel was one of the most renowned dramatists of his generation, producing over 30 plays in a career spanning six decades. Included here are some of his best-known works, as well as mesmerising radio documentaries featuring the author himself, in his own words.

Blindness in the 1950s was a social stigma. Stephen's mother wanted a normal life for him, so he fought desperately to uphold the illusion of sight. For a child frantic to fit in, each day was an exhausting pretence. He managed to ride a bike, when even reading involved pressing his nose to the page and painfully forcing his eyes to concentrate. Head up, he strode through a carefully memorized labyrinth of streets, hoping to fool passers-by that he could actually see.

“Don’t you wonder: why is it necessary to declare me dead again and again?” This is the question posed by Karl Marx in Howard Zinn’s witty and insightful “play on history.” The premise of this one-man performance is that history’s most famous, and oft-misrepresented, radical is resurrected after agitating with the authorities of the afterlife to clear his name. Through a bureaucratic error, however, Marx lands in modern-day Soho, New York, rather than his old stomping grounds in London, to make his case.