Showing results for "Britain" in Shakespeare

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

Cymbeline, also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain (c. 10–14)[a] and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

Henry VIII folis a plot by the scheming Cardinal Wolsey and rejects his 20-year marriage with the tragic Katherine of Aragon. All the while he is keeping his wandering eye on the beautiful Anne Boleyn.

"King Lear" is a tragedy written by William Shakespeare, depicting the gradual descent into madness of the title character after he disposes of his kingdom giving bequests to two of his three daughters based on their flattery of him, bringing tragic consequences for all. The play is derived from the legend of Leir of Britain, a mythological pre-Roman Celtic king; after the English Restoration, it was often revised with a happy ending for audiences who disliked its dark and depressing tone, but since the nineteenth century, Shakespeare's original version has been regarded as one of his supreme achievements.