Showing results for "Child" in Ancient, Classical & Medieval Literature

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.

Povest' «Detstvo» - jeto avtobiograficheskoe proizvedenie Maksima Gor'kogo, glavnyj geroj kotoroj - Alesha Peshkov. Posle togo kak u mal'chika umer otec, on stal zhit' s dedom i babushkoj. V dome deda carila mrachnaja atmosfera, v kotoroj i formirovalsja harakter Aleshi.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

A splash of the sea and the salt in the ocean air signals the beginning of the greatest whaling adventure of all time. This is literature's great voyage. The challenge of a man against the wonders of nature's ocean, of a man against his own weakness and strengths, and of a man against a demon, or perhaps his God, as he searches for his nemesis, the great white whale.

This is one of the great recordings of a great play. John Gielgud stars as Earnest and Edith Evans gives her indomitable performance as Lady Bracknell in this classic radio recording from 1951.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

The Athenian court has found Socrates guilty and sentenced him to death. While he is waiting to be executed, his friend, Crito, comes to the prison to persuade him to escape and go into exile. Socrates responds by examining the essence of law and community, probing the various kinds of law and making distinctions that go far beyond the particular issue of whether or not Socrates should escape.