Showing results for "Chris" in History & Criticism

However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever.

An explosive oral history of emo’s takeover from 1999 to 2008, featuring MY CHEMICAL ROMANCE, FALL OUT BOY, PARAMORE, PANIC! AT THE DISCO, TAKING BACK SUNDAY, JIMMY EAT WORLD, DASHBOARD CONFESSIONAL, AND MANY MORE If Meet Me in the Bathroom traced New York City's early 2000’s rock scene...

The gold-standard biography of the band Led Zeppelin—revised and updated with new material for fans of the band and this beloved rock classic. “One of the most notorious rock biographies ever written.” —Chicago Tribune The members of Led Zeppelin are major deities in the pantheon of rock...

Miles to Go is a frank and intimate exploration of Miles Davis' eccentric working life, drug habits, paranoia, depression, and subsequent recovery. Murphy explores Davis' troubled relationship with his children and the controversial role Cicely Tyson played in his life. The book also delves into the dynamics that made Davis' band work so well together, placing Davis' work in a historic, literary, and musical framework.

The blues grew out of the plantations and prisons, the swampy marshes and fertile cotton fields of the Mississippi Delta. With original research and keen insights, Ted Gioia - the author of a landmark study of West Coast jazz and the critically acclaimed The History of Jazz - brings to life the stirring music of the Delta, evoking the legendary figures who shaped its sound and ethos: Robert Johnson, Charley Patton, Muddy Waters, John Lee Hooker, Howlin' Wolf, B. B. King, and others.

England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and the moment they defined for music fans in England and the United States. Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail and exclusive interviews. This fully revised and updated edition of the book covers the legacy of punk 25 years later and provides an account of the Pistols' 1996 reunion as well as a completely new introduction.

Dangerous Melodies vividly evokes a time when classical music stood at the center of American life, occupying a prominent place in the nation’s culture and politics. The work of renowned conductors, instrumentalists, and singers - and the activities of orchestras and opera companies - were intertwined with momentous international events: two world wars, the rise of fascism, and the Cold War.

Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his 50-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South.

Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I'd Fight the World, Peter La Chapelle traces the deep bonds between country music and politics. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world.

The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. Bob Beatty dives deep into the motivations of band founder Duane Allman to tell the story of what made this album one of the most important live rock albums in history.

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.