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The Creative Self delves into the hegemony of neoliberal self-optimization and turns to psychoanalysis in search of an alternative. In paired chapters, Mari Ruti and Gail M. Newman examine the works of the psychoanalysts Marion Milner and Donald W. Winnicott.

Bringing together the imaginative strategies of fiction storytelling and new ways of narrating true, real-life events, creative nonfiction is the fastest-growing part of the creative writing world. It's a cutting-edge genre that's reshaping how we write (and read) everything from biographies and memoirs to blogs and public speaking scripts to personal essays and magazine articles.

The excitingly phenomenal era in which we live has been called The Golden Age. It’s an apt description. During our lives more changes have occurred, more progress has been made than during any previous millennium in the development of man. It would be almost impossible to select the most important discovery in recent years, what would you choose? The jet engine, atomic energy, the new metal, synthetic fibers, rocket, satellites, transistors, the laser, television, plastics, antibiotics, computers, men on the moon, self-image psychology, mass communications...the list goes on and on.

One of the foremost theoretical physicists in the world, the late David Bohm, tells why science has become specialized and fragmented at the cost of its soul. He describes his theory of the implicate order and goes on to explore its implications for human consciousness.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.