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The Roman poet Ovid, exiled to a remote village on the edge of the Black Sea, tells the story of his meeting with a feral boy, brought up among wild animals in the snow. It is a luminous encounter between civilisation and nature. In the first century AD, Publius Ovidius Naso, the most urbane and irreverant poet of imperial Rome, was banished to a remote village on the edge of the Black Sea. From these sparse facts, one of our most distinguished novelists has fashioned an audacious and supremely moving work of fiction.

Every city, town and village has its memorial to war. Nowhere are these more eloquent than in Australia, generations of whose young men have enlisted to fight other people's battles - from Gallipoli and the Somme to Malaya and Vietnam. In The Great World, David Malouf gives a voice to that experience. But The Great World is more than a novel of war. Ranging over 70 years of Australian life, from Sydney's teeming King's Cross to the tranquil backwaters of the Hawkesbury River, it is a remarkable novel of self-knowledge and lost innocence, of survival and witness.

The poetry was in the prose; it stayed and sprung its rhythms, chorded its ideas, concentrated its images. Every other novel claims to be written in 'poetic prose'; the real thing, when you come across it, is actually shocking. Nam Le takes the listener on a thrilling intellectual ride in this sharp, bold essay. Encompassing identity politics, metaphysics, the relationship between life and art, and the ‘Australianness’ of Malouf’s work, it is unlike anything else written about one of Australia’s most acclaimed writers.

The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk. One, Carney, an illiterate Irishman, ex-convict and bushranger, is to be hanged at dawn. The other, Adair, also Irish, is an officer of the police who has been sent to supervise the hanging. As the night wears on, the two discover unexpected connections between their lives and learn new truths.

In the 1840s, a ship's boy, cast ashore in northern Australia, is taken in by Aborigines. 16 years later he steps out of the bush and inadvertently confronts the new white settlers with their unspoken terrors. A searing and magnificent picture of Australia at the time of its foundation, focusing on the hostility between early British settlers and native Aboriginals, Remembering Babylon tells the tragic and compelling story of a boy caught between both worlds - the civilised and the primitive.

For three different people brought together by their love for birds, life on the Queensland coast in 1914 is the timeless and idyllic world of sandpipers, ibises and kingfishers. In another hemisphere civilisation rushes headlong into a brutal conflict. Life there is lived from moment to moment. Inevitably, the two young men - sanctuary owner and employee - are drawn to the war and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledge for all three of them that the past cannot be held.

In the first Quarterly Essay for 2011, David Malouf returns to one of the most fundamental questions and gives it a modern twist: what is it to live a good life? With grace and profundity, Malouf discusses new and old ways to talk about the self, morality and happiness. In an age of environmental peril, and in the wake of the global financial crisis, such questions have returned with new force - we live in unpredictable times and Homo economicus has been found wanting.