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Though unappreciated in his own time, Johann Sebastian Bach has ascended to Olympian heights, the verdict of contemporary audiences long since overruled by succeeding generations of music lovers. But what makes his music great? In this series of 32 lectures, a working composer and musicologist brings his exceptional teaching skills to the task of helping you hear the extraordinary sweep of Bach's music. You'll understand the compositional language that enabled him to compose such extravagant, unbridled music while still maintaining precise control of every aspect - beat, melody, melodic repetition, interaction, and harmony.

In which Daniel Waterhouse, fearless thinker and courageous Puritan, pursues knowledge in the company of the greatest minds of Baroque-era Europe -- in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.

Seguidores del doblaje de One Piece en castellano comentan el reestreno del popular anime en España.

Baroque is shorthand for a pause in our journey as fellow travellers, a pause which marks not a break from the past, but a time to look back and then look ahead. This time, with greater clarity. Conversations with influential companions, their stories, and through their individual journeys, insights about the art and craft of public policy-making. To Get in touch, baroquepodcast@gmail.com

Classical Music for Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic.

In the year 1689, a cabal of Barbary galley slaves, including one “Half-Cocked Jack” Shaftoe, devises a daring plan to win freedom and fortune. A great adventure ensues that will place the intrepid band at odds with the mighty and the mad, with alchemists, Jesuits, great navies, pirate queens, and vengeful despots across vast oceans and around the globe.

A chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe - London street urchin-turned-legendary swashbuckling adventurer - risking life and limb for fortune and love while slowly maddening from the pox...and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.

The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a criminal gang attempting to blow up Natural Philosophers with "Infernal Devices," or time bombs. Unbeknownst to Daniel, however, Newton has an ulterior motive: to wrest the Solomonic Gold from the control of his arch-enemy, the master counterfeiter Jack the Coiner, a.k.a Jack Shaftoe, King of the Vagabonds.

Daniel Waterhouse finds himself embroiled in a dark conflict that has been raging in the shadows for decades. It is a secret war between the brilliant, enigmatic Master of the Mint (and closet alchemist) Isaac Newton and his archnemesis, the insidious counterfeiter Jack the Coiner, a.k.a. Jack Shaftoe, King of the Vagabonds.

The trials of Dr. Daniel Waterhouse and the Natural Philosophers increase one-hundred fold in an England plagued by the impending war and royal insecurities - as the beautiful and ambitious Eliza plays a most dangerous game as double agent and confidante of enemy kings.

Venice, 1734. Castrato soprano Tito Amato, star of Venice opera, has let fame go to his head. Neglecting his vocal practice for dubious pleasures, Tito finds himself demoted to secondary roles and overshadowed by a visiting singer who usurps his position. But when the murder of scene painter Luca Cavalieri threatens to close the opera house, Tito sees an opportunity to reclaim his status and jumps at the chance to find the killer.

One fateful evening, journalist Eric Siblin attended a recital of Johann Sebastian Bach's Cello Suites and began an epic quest that would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Nonfiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach's manuscript in the 18th century; Pablo Casals's discovery and popularization of the music in Spain in the late-19th century; and Siblin's infatuation with the suites in the present day.

High brow art… low brow tea! Our podcast is a light dive into your favorite artists juicy drama. Art is for everyone on this show and we’re serving it with a side of steeping hot tea!New episode every Wednesday! Come learn with us!Love you,Xoxo - Baroque B’sIG: Baroque.B.PodcastNow on Patreon! #artpodcast #arthistorypodcast

Bach, Vivaldi, and Handel are the three great composers of the Baroque era, though there are many other well-known figures, including Albinoni, Pachelbel, and Scarlatti. This engaging introduction, interspersed liberally with music, shows how the works of these composers graced the courts and churches of Europe from 1600 to 1750. It is a fascinating story.

Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice in the Dutch Golden Age. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic.

Read by the author, acclaimed conductor Jane Glover. 'You don’t have to be able to hum Mozart to find this book utterly engrossing . . . I couldn’t put it down' - Joanna Lumley An expertly researched and vividly written account of Mozart’s formative trips to Italy. At thirteen years old...

De A comme aria à Z comme Zéphir, de Monteverdi à Mozart en passant par Farinelli, Lully, Vivaldi et même Frère Jacques, laissez-vous emporter au fil des mots et des notes de la musique baroque, en compagnie de Pauline Lambert, animatrice à Radio Classique et Christophe Rousset, claveciniste et chef d’orchestre des Talens Lyriques. Un abécédaire “amoureux” et subjectif de la musique baroque, où résonnent Haendel, Bach, Couperin et tant d’autres par la voix d’instruments comme le clavecin ou la viole de gambe, mais aussi et surtout, toute une palette de passions, de l’...

Join the Australian Brandenburg Orchestra's Hugh Ronzani as he interviews musicians about all things Baroque, J.S. Bach and the Brandenburg's all new digital stage, Brandenburg One.

L'écriture de l'histoire de la philosophie occidentale n'est pas neutre : une Grèce prétendument fondatrice à l'exclusion des pensées qui la précèdent dans le temps ; une domination idéaliste, notamment platonicienne ; une tradition qui poursuit ce parti-pris avec le spiritualisme chrétien et l'idéal allemand - l'historiographie dominante est nettement platonicienne. Or, on peut proposer une contre-histoire de la philosophie qui se soucie d'un autre lignage : matérialiste, hédoniste, nominaliste, athée, sensualiste, empirique, etc. Et s'y inscrire avec le souci d'une pensée systématique.

L'écriture de l'histoire de la philosophie occidentale n'est pas neutre : une Grèce prétendument fondatrice à l'exclusion des pensées qui la précèdent dans le temps ; une domination idéaliste, notamment platonicienne ; une tradition qui poursuit ce parti-pris avec le spiritualisme chrétien et l'idéal allemand - l'historiographie dominante est nettement platonicienne. Or, on peut proposer une contre-histoire de la philosophie qui se soucie d'un autre lignage : matérialiste, hédoniste, nominaliste, athée, sensualiste, empirique, etc. Et s'y inscrire avec le souci d'une pensée systématique.