Showing results for "Digital Cities" in Urban

Bombay was the city everyone came to in the early decades of the 19th century: among them, the Goans and the Mangaloreans, looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena).

Brought to you by Penguin. This Penguin Classic is performed by Julian Rhind-Tutt, star of Green Wing, also known for his roles in The Madness of King George and Tomb Raider. This definitive recording includes an Introduction by Richard Maxwell. After eighteen years as a political prisoner in...

1812. In Bath and London, Jane Austen's characters are attending balls, and the Bridgerton family are making waves in Regency high society. But these are the grimy streets of Liverpool: a city where the extreme wealth of international commerce meets brothels and brawls, smugglers and secrecy; where both high and low society operate amidst revolutionary rumblings from France and the shadow of the recently abolished slave trade.

Distinguished for his talents as a rat killer, the nameless protagonist of Hye-young Pyun's City of Ash and Red is sent by the extermination company he works for on an extended assignment in C, a country descending into chaos and paranoia, swept by a contagious disease and flooded with trash. No sooner does he disembark than he is whisked away by quarantine officials and detained overnight. Still worse, when he finally manages to reach an old friend, he is told that his ex-wife's body was found in his apartment and that he’s the prime suspect.

On this journey through the labyrinthine streets and hidden corners of one of the world's most fascinating cities, everybody is searching for something, and maybe searching in the wrong places. Elements of the fantastical and the surreal abound, as they tend to do in the early predawn hours of the morning, yet the settings, the human stories, and each character's search are all as real as can be.

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

Editoriales embusteras, comediantes retirados y niños perdidos en el subsuelo convergen en esta novela, un caleidoscopio de personajes e hilos narrativos que van tejiendo la biografía de una ciudad. A través de fragmentos hábilmente entrelazados, moviéndose entre lo individual y lo colectivo Desafiante como un rompecabezas y ligera com una sonrisa, le devuelve a la narrativa su potencia de juego e invención.

Become a shifter. Build my pack. Be the leader these people need. I’ve always known I was different. There’s a beast inside me, clawing to get free—and it finally breaks loose when I return to Thornveil City, a magic-soaked metropolis crawling with shifters. Soon, I’m teamed up with a razor-sharp wolfgirl whose bite is much deadlier than her bark, and we have one mission: protect a dangerously-gorgeous kitsune heiress from those evil creatures who want her magic for their own twisted ends.

City Girl is a gripping street fiction novel that delves into the turbulent life of Rasha "Raz" Collins, a determined twenty-year-old woman living in one of the toughest neighborhoods in Annapolis. Rasha dreams of escaping her troubled community, and her middle school sweetheart, Monte, appears to be her ticket out.

The first novel to articulate the rage and pain of life in "the other America," Hubert Selby Jr.'s Last Exit to Brooklyn is a classic of postwar American writing. Selby's searing portrait of the powerless, the homeless, the dispossessed, is as fiercely and frighteningly apposite today as it was when it was first published more than fifty years ago. This explosive, transgressive best-seller created shock waves upon its release in 1964 with its raw, vibrant language and startling revelations of New York City's underbelly.

Beatrice Kizza, a woman in flight from a homeland that condemned her for daring to love, flees to London. There, she shields her sorrow from the indifference of her adopted city and navigates a nighttime world of shift work and bedsits. Howard Pink is a self-made millionaire who has risen from Petticoat Lane to the mansions of Kensington on a tide of determination and bluster. Yet self-doubt still snaps at his heels, and his life is shadowed by the terrible loss that has shaken him to his foundations.

Jo Waterstone knows what you should read next. She’s honed the skill of sizing up a person and recommending their next book in the decades she’s worked at Bruebaker’s Books. Her life has been shaped by the store, the bustle of customers exploring the stacks, and managing the eager staff. She can honestly say it’s the best job she’s ever had. Then the store’s elderly owner, Mr. Bruebaker, suffers a stroke, and just like that Jo’s perfect job is on the chopping block. Mr. B’s daughters and the bookstore’s icy CEO think the time is right to close for good, and they order Jo to lock up.

When beautiful and successful Susan Harris jumps from the roof of her apartment building, she sets a tremor through her New York City mothers’ group that forces them all to look at one another with new cynicism: How could this have happened right under their noses? To one of them? Between her death and the harrowing private school admission season on the horizon, these women are forced to explore the hard truths about themselves.

The day Stacey Grant loses her job feels like the last day of her life. Or, at least, the only life she'd ever known. For who was she if not a City high-flyer, Senior Partner at one of the top private equity firms in London? As Stacey starts to reconcile her old life with the new - one without professional achievements or meetings but instead long days at home with her dog and ailing mother, waiting for her successful husband to come home - she at least has The Girls to fall back on. Beth, Melissa and Gaby.

In a city teeming with stories, how do lost souls find one another? It’s a question Meg Rhys doesn’t think she’s asking. Meg is a self-identified spinster librarian, satisfied with living with her cat, stacks of books, and her dead sister’s ghost in her New York City apartment. Then she becomes obsessed with an intriguing library patron and the haunted house he’s trying to research. The house has its own story to tell too, of love and war, of racism’s fallout and the ghost story that is gentrification, and of Brooklyn before it was Brooklyn.

In a near-future New York City ravaged by climate change and economic inequality, a superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Among those who remain are 24-year-old Makayla, and Jesse, an 18-year-old, genderqueer anarchist. In the aftermath of the storm, Jesse joins Makayla's group of remainders in an abandoned luxury condo building, carving out a small sanctuary in the midst of a destroyed city. Meanwhile, mysterious, colorful murals begin to appear throughout NYC, bringing hope to the forsaken and left-behind.

In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless.

The setting is Seattle's Lake City neighborhood during the 2001 holiday season. In the wake of the 9/11 tragedy and at the peak of Seattle's first wave of tech-boom gentrification - a wave that never quite made it to his neighborhood - Lane Bueche schemes how to win back his wife (and her trust fund). In his childhood bedroom in his mother's decrepit old house, the idealistic but self-serving striver Lane licks his wounds and hatches a plot.

In a crumbling neighbourhood in New Delhi, a child waits for a mother to return home from work. And, in parallel, in a snow-swept town in Germany on the Baltic Sea coast a woman, her memory fading, shows up at a deserted hotel. Worlds apart, both embark, in the course of that night, on...

Chicago: home to urban Indians and immigrants and working folks and the whole gamut of people getting by in a world that doesn't care whether they do so or not. Sacred City is an incomparable follow-up to Van Alst's award-winning debut collection, Sacred Smokes. Our young narrator now heads deeper into the heart of the city and himself, accompanied by ancestors and spirits who help him and the audience see that Chicago was, is, and always will be Indian Country.