Showing results for "Drugs" in Latin America

The term Mexican Drug War misleads. It implies that the ongoing bloodbath, which has now killed well over 100,000 people, is an internal Mexican affair. But this diverts attention from the US role in creating and sustaining the carnage. It's not just that Americans buy drugs from and sell weapons to Mexico's murderous cartels. It's that ever since the US prohibited the use and sale of drugs in the early 1900s, it has pressured Mexico into acting as its border enforcer - with increasingly deadly consequences.

Drug Lord, a firsthand account of drug dealing, murder, and corruption, tells of drug kingpin Pablo Acosta, who smuggled up to 20 tons of cocaine each year into the United States before treachery brought about his downfall and grisly death.

At age five Sonia Rodriguez's stepfather began to abuse her; at 10 she was molested by her uncle and beaten by her mother when she told on him; and by 13 her home had become a hangout for the Latin Kings and Queens who were friends with her older sister. Threatened by rival gang members at school, Sonia turned away from her education and extracurricular activities in favor of a world of drugs and violence.

By the early 1990s, Colombia's Cali cartel had become what the former head of the DEA Thomas Constantine referred to as "the biggest and most powerful crime syndicate in history." Responsible for nearly 85% of the cocaine that reached US soil and 90% worldwide, they were untouchable. They brazenly corrupted thousands of Colombian authorities and government officials, even buying the outcome of the 1994 presidential election.

Pablo Escobar had one obsession. Not drugs, not money, not power... football. Narcoball uncovers the incredible story of Colombian football during the early 1990s - shaped by drug lords, rivalries, and ambition. It uncovers a football empire backed by cartels - where victory was a currency of...

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

Combining on-the-ground reporting and in-depth discussions with people on the frontlines of Mexico's drug war, To Die in Mexico tells behind-the-scenes stories that address the causes and consequences of Mexico's multibillion dollar drug trafficking business. John Gibler looks beyond the myths that pervade government and media portrayals of the unprecedented wave of violence now pushing Mexico to the breaking point.