Showing results for "Edith Wharton" in City Life

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

Twilight Sleep, a gothic satire of Jazz Age New York, was an instant best-seller when it was released in 1927. Quintessential Edith Wharton, it is stylish and sharp, at turns scathing, hilarious and melodramatic, but also deeply and surprisingly human. In a modernist twist, the story is told by three distinct narrators—19-year-old Nona Manford, her unflappable socialite mother Pauline, and Nona’s father and Pauline’s second husband, divorce lawyer Dexter Manford. All are trying to save the marriage of Nona’s half-brother, Jim Wyant, and his wife Lita.

Spanning four decades in the mid-nineteenth century, the interconnected novellas of Old New York lay out the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

Having been born into a life of wealth and privilege, Edith Wharton was part of the small clique of aristocratic families that held sway over New York City's social and cultural life at the turn of the nineteenth century. In The Age of Innocence, Wharton looks back fondly on the life that was enjoyed by the privileged class of the East Coast before the many changes wrought by World War I.

Edith Wharton, scrittrice americana, incoraggiata da Henry James nella sua copiosa produzione letteraria, affronta specialmente il problema del rapporto tra il singolo ed il suo gruppo sociale di appartenenza, ed in particolare il problema della "rottura delle convenzioni sociali". Cresciuta in un ambiente altamente elitario e rigidamente conservatore, come quello della cosiddetta "aristocrazia del denaro" dell'altissima società di New York (detta anche "l'aristocrazia dei Quattrocento"), la Wharton cercò di rielaborare i temi legati alla forte chiusura sociale di tale ambiente in molte delle sue opere più importanti.

The stories are all set in New York City and concern themselves with various facets of life in Gilded Age New York City—from the highest of high society to the commonest pensioner in less fashionable neighborhoods in boarding houses. The stories are about manners and mores; about the people of various strata of society relating to each other and the world around them.