Showing results for "Egypt" in Royalty

Few personalities from classical antiquity are more famous - yet more poorly understood - than Cleopatra VII, queen of Egypt. In this major biography, Duane Roller reveals that Cleopatra was in fact a learned and visionary leader whose overarching goal was always the preservation of her dynasty and kingdom. Roller's authoritative account is the first to be based solely on primary materials from the Greco-Roman period: literary sources, Egyptian documents (Cleopatra's own writings), and representations in art and coinage produced while she was alive.

Exploring the lives of the Ptolemaic pharaohs, de la Bédoyère reveals the jealousy, greed, and murderous ambition in their Egypt and the legendary city of Alexandria, their capital. This is a lively, accessible account of Ancient Egypt’s last days—and of the new power rising in its place.

Ramesses II ruled the Nile Valley and the wider Egyptian empire from 1279 to 1213 B.C., one of the longest reigns in pharaonic history. He was a cultural innovator, a relentless self-promoter, and an astute diplomat—the peace treaty signed after the Battle of Kadesh was the first in recorded history. He outbuilt every other Egyptian pharaoh, leaving behind the temples of Abu Simbel; the great hypostyle hall of Karnak; the tomb for his wife Nefertari; and his own memorial, the Ramesseum.

In 1895, archaeologists excavating a villa outside Pompeii unearthed a hoard of Roman silverware. Among the treasures was a bowl featuring a female figure with thick, curly hair, deep-set eyes, a slightly hooked nose and a strong jaw, and sporting an elephant scalp headdress. Modern scholars believe this woman to be a depiction of Cleopatra Selene, daughter of the infamous Cleopatra and Mark Antony. Using this discovery as her starting point, Jane Draycott recreates the life and times of a remarkable woman.

Francine Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film. She challenges the common narratives driven by orientalism and misogyny and offers a new interpretation of Cleopatra’s history from the lens of our own era.