Showing results for "Fictions" in Women

On Sarah A. Chrisman's 29th birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset - ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it.

We often think of the enduring tropes of the Gothic in terms of fiction and film—breath-catching escapes that tap into our fears, anxieties, forbidden desires, and unsettling dreams. But what if some of these chilly vibes are rooted in the experiences of real and tragic people who danced a macabre waltz with love and death? That's why we're here. Take the case of teenage Mercy Brown, victim—or was it predator?—of Rhode Island's vampire hysteria of the 1890s. Marguerite de la Roque, a French noblewoman condemned for "sexual crimes" to Canada's long-lost Isle of Demons.

A provocative look at how and what Americans eat and why—a flavorful blend of The Omnivore’s Dilemma, Salt Sugar Fat, and Freakonomics that reveals how the way we live shapes the way we eat. Food writer and Culinary Institute of America program director Sophie Egan takes readers on an...

Las indómitas rinde tributo al rostro anónimo de las mujeres que lucharon en la Revolución, a la inconfundible Jesusa Palancares y al silencio de las mujeres del servicio. Madres, activistas, revolucionarias, artistas y trabajadoras incansables; desde sus trincheras, han luchado por trastocar el orden patriarcal, pero también han sido el motor que le ha dado un nuevo giro a la historia y cuyo brillante ejemplo es el faro que nos guía hacia al futuro.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

Emilia Ferretti Viola, alias Emma,(1844-1929) fu una scrittrice italiana, pioniera del femminismo.Questo libro che svelo' il vero volto della prostituzione, una denuncia sociale quanto mai attuale a tutela dei diritti delle donne.Il fatto che narro in questo libro è un fatto vero....Emma 1877"

Caterina da Siena (1347-1380) fu dichiarata prima santa nel 1461 e poi Dottore della Chiesa nel 1970. È compatrona d'Italia e d'Europa. Caterina, pressoché analfabeta, veniva aiutata nelle sue opere di carità da un gruppo di uomini e donne, fratelli spirituali, detti la "Bella Brigata". A questi stessi dettava le sue lettere, spesso dettandole contemporaneamente a più "scrivani". Scrisse circa 380 lettere, durante gli ultimi dieci anni della sua vita.

This book is for listeners of true crime podcasts and audiences of both fiction and true-crime nonfiction. It's the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, and wrote her out of the will.

Publicada en 1701, esta carta constituye un documento fundamental para entender la defensa del derecho de las mujeres a la educación y al conocimiento en un tiempo en que estas aspiraciones eran frecuentemente restringidas y desvalorizadas. La carta es un documento autobiográfico en el que Sor Juana narra su propio desarrollo intelectual y su pasión por el estudio durante la época colonial de México.

A Room of One's Own è un saggio della celebre autrice inglese Virginia Woolf. Fu pubblicato nel 1929 e si è basato su due conferenze tenute a ai due college femminili di Newnham e Girton, dell'Università di Cambridge, nel 1928. Il saggio, scorrevole e brillante, ripercorre la storia della scrittura nelle donne, e la storia delle donne, e la storia della scrittura. Pertanto è rivolto, oltre che alle donne, anche a tutti coloro che vogliono scrivere.

Michelle Obama's legacy transcends categorization. Mrs. Obama was not only our first black first lady; she was President Obama's equal partner in marriage and parenthood and a tireless advocate for women's rights, education, healthy eating, and exercise. Her genre-busting personal style encouraged others to speak, to engage, even to dress as they wished.