Showing results for "Flatland" in Genre Fiction

Flatland is populated by Squares, Triangles, Circles, and Lines, all of which are strictly divided by class and gender. However, our narrator, A Square, living a practical life in this two-dimensional universe, dreams of other worlds. Perhaps A Sphere, a figure from a three-dimensional realm, can help drive home the point. But, as A Square soon discovers, educating Flatland about the shapes of things to come proves to be a dangerous infraction.

Brought to you by Penguin. A work that still poses provocative questions about perception and reality, Flatland is a brilliant parody of Victorian society where all existence is limited to length and breadth - its inhabitants unable even to imagine a third dimension. The amiable narrator, A...

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed audiences for more than 100 years. The work of English clergyman, educator, and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women - thin, straight lines - are the lowliest of shapes, and where men may have any number of sides, depending on their social status.

In Flatland, originally published in 1884, a humble square describes his two-dimensional world to benefit the inhabitants of Spaceland, the three-dimensional realm he discovers when he is visited by a being from beyond his plane. With dry wit and wild imagination, author Edwin Abbott Abbott builds a meticulous fantasy world rooted in an astute apprehension of psychology, politics, and social structures, as well as basic geometry. The story of Flatland, at once ridiculous and profound, delivers an incisive satire of social discourse that remains remarkably relevant today.

Flatland, first published in 1884, is classic work of satire. The full title, Flatland: A Romance of Many Dimensions, reveals the story's most compelling characteristic, its discussion of multiple dimensions. It is this fascinating examination which has contributed to Flatland's enduring popularity.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today.

Enter the fascinating world of Flatland, a timeless classic that blends mathematics, philosophy, and societal commentary into an imaginative tale of dimensions. In this groundbreaking novella, Edwin A. Abbott introduces listeners to a two-dimensional universe inhabited by geometric shapes. Narrated by a humble square, the story explores life in a flat plane where hierarchy is determined by shape and angles, offering sharp insights into the rigid class systems of Abbott’s time—and our own.

Written by Edwin A. Abbott, under the pseudonym "a square", Flatland offers pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions. Noted science writer Isaac Asimov has described Flatland as "The best introduction one can find into the manner of perceiving dimensions. " As such, Flatland is very popular amongst mathematics, physics, and computer-science students.

With this satirical novella, English schoolmaster Edwin A. Abbott provides both a mathematical fantasy and pointed observations on the social hierarchy of Victorian culture. The narrator, “a Square,” resides in the fictional two-dimensional world of Flatland. When he is visited by a sphere, he is suddenly faced with proof of the existence of three dimensions and is forced to see the limitations of his world.

Abbott used the fictional two-dimensional world of Flatland to offer pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions, for which the novella is still popular amongst mathematics, physics, and computer science students. Several films have been made from the story, including a feature film in 2007 called Flatland. Other efforts have been short or experimental films, including one narrated by Dudley Moore and a short film with Martin Sheen titled Flatland: The Movie.

Sigrid, dottoressa quarantenne, vive a Oslo con i figli e il secondo marito, insieme al quale ha abbandonato il paesino di campagna dove è cresciuta, lasciandosi alle spalle un carico di ricordi difficile da sostenere. La nuova serenità che ha conquistato è però solo apparente. Sigrid è infatti segretamente gelosa del rapporto che la figlia maggiore sta instaurando con il padre, il suo primo marito ricomparso da poco e forse mai dimenticato. E poi c’è la madre, Anne, ormai quasi settantenne, fiera e indipendente.

When Liv, Ellen and Håkon, along with their partners and children, arrive in Rome to celebrate their father’s 70th birthday, a quiet earthquake occurs: their parents have decided to divorce. Shocked and disbelieving, the siblings try to come to terms with their parents’ decision as it echoes through the homes they have built for themselves and forces them to reconstruct the shared narrative of their childhood and family history.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster and clergyman Edwin Abbott Abbott. The story describes a two-dimensional world occupied by geometric figures, where of women are simple line-segments, while men are polygons with various numbers of sides. Written pseudonymous by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

Tre barndomsvenner - Tarjei, Trygve og Kristian - beslutter at lade sig hverve til de norske styrker i Afghanistan. Under en operation kører bilen på en landmine, og drengene bliver dræbt på stedet. Hvorfor tog de overhovedet af sted? Og hvad med familien og resten af det lille lokalsamfund, som får dem hjem i kister? Hvad bestemmer vores valg i livet? Bliv hvis du kan, rejs hvis du må handler om at vokse op i, være omgivet af og bryde med en tryghed - som ikke længere er tryg.

Anne’s life is rushing to an unexpected and untimely end. But her diagnosis of terminal cancer isn’t just a shock for her - and for her daughter, Sigrid, and granddaughter Mia - it shines a spotlight onto their fractured and uncomfortable relationships. On a spur-of-the moment trip to France, the three generations of women reveal harboured secrets, long-held frustrations and suppressed desires, and learn humbling and heart-warming lessons about how life should be lived when death is so close.

«Ci stiamo lasciando»: tre brevi, semplici parole che innescano un terremoto. Quando Liv, Ellen e Håkon arrivano a Roma insieme ai genitori per festeggiare il settantesimo compleanno del padre, tutto si aspettano tranne quello che sta per accadere: i genitori annunciano che hanno deciso di divorziare.