Showing results for "France" in Short Stories

Zacharias is his maternal grandfather’s namesake, though he has never met said grandfather or any other extended family members. He represses questions he has as a way of trying to protect himself and his mother, Dorothée, who is prone to bouts of depression. But he cannot ignore his reality forever and in adolescence, Zacharias begins to commit small acts of rebellion leading to a final act that goes horribly wrong and leads him to exile and a new life where he promises himself never to look back.

Die Schriften der französischen Prosa-Ikone Anatole France wurden zu Beginn des letzten Jahrhunderts vom Vatikan auf den Index verbotener Bücher gesetzt. Ob bei den offiziellen europäischen Gottes-Profis inzwischen ein Umdenken stattgefunden hat ist zu bezweifeln. Jedenfalls zeugen die Erzählungen des Anatole France von einem großartigen Verständnis der praktischen Welt und einem sehr gutem Verständnis der menschlichen Natur – wahrscheinlich deswegen für den Vatikan unverständlich.

In The Mass of Shadows, Anatole France weaves a solemn and haunting tale of love, memory, and the fragile boundary between life and death. Through the voice of a sacristan recalling his father’s stories, we enter a world where the dead return not in terror, but in reverence—souls bound by affection, regret, and unfinished devotion. Once a year, they are granted a single hour to reunite with those they loved, gathering silently in their parish church to attend a Mass said not for the living, but for memory itself.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

H. E. Bates is probably best known for his comic novel The Darling Buds of May, which introduced the lovable Larkins to the world and sparked three hugely popular TV adaptations. In his 68 years, Bates wrote over 20 further novels, more than 300 short stories, children’s books, poems, plays and non-fiction. This collection brings together three full-cast BBC Radio dramatisations and fourteen excellent readings, rounding off with extracts from H. E. Bates autobiographies.

היצירות המקובצות בספר הזה נכתבו בתקופה שצרפת היתה, אולי, מרכז העולם. הבה נדמיין מדינה שמייצרת ומתמלאת בזמן קצר רומנים מהפכניים, ציורים, בתי קפה, אופנה, מוזיקה...

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Gefährliche Leiden- und Liebschaft! Doña Maria D'Avalos und Don Fabricio, Herzog von Andria, haben ein leidenschaftliches Verhältnis miteinander. Doch der Ehebruch bleibt nicht unentdeckt. Die beiden jungen Adligen werden vom eifersüchtigen Gatten der Doña Maria, dem Herzog von Venosa, erwischt und grausam ermordet. In seinem Rachedurst stellt der Herzog die Leichen der beiden Liebenden blutrünstig zur Schau. Im Angesicht des Todes verlieren beide nicht nur ihre Selbstbestimmung, sondern auch ihre Würde, indem sie dem Pöbel ausgesetzt und als Beispiel für moralische Verwerflichkeit hingestellt werden.

Es difícil valorar hoy lo que significó Anatole France en su tiempo. Fue un escritor adorado por los liberales del mundo occidental. En él se daba esa militancia respetuosa por los lugares comunes de lo políticamente correcto.

Mademoiselle Jeanne, drawn by curiosity and the allure of mystery, attends a midnight Mass at the village church, said to be haunted by spirits of the departed. As the night unfolds, the air grows thick with a palpable sense of dread, and the shadows of the past emerge to claim their presence among the living. In the dim candlelight, ghostly figures and ethereal whispers fill the sacred space, weaving an eerie tapestry of fear and fascination. As Jeanne witnesses the ethereal procession, she is confronted with the haunting reality of mortality and the power of faith.