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Graveyard chronicles a host of Ed and Lorraine Warren's most harrowing, fact-based cases of ghostly visitations, demonic stalking, heart-wrenching otherworldly encounters, and horrifying comeuppance from the spirit world. If you don't believe, you will. And whether you listen alone in the dead of night or in the middle of a sunny day, you'll be forever haunted by its gallery of specters eager to feed on your darkest dread.

Once a Protector enforcing the Capitol’s strict laws with an iron fist, Ashok Vadal discovers his entire life is built on lies. The ancient black steel sword chose him not for his bloodline but for his spirit, thrusting him into a destiny fraught with peril and glory. The Capitol is in chaos, teetering on the brink of collapse as the Great Extermination spreads its dark shadow across the land. The casteless, descendants of the once-great kings, are hunted to extinction. Their only hope lies in Ashok Vadal, now a fugitive, and Thera, the prophet of the forgotten gods.

Midnight. Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind....

The Graveyard Poets, also known as 'Churchyard Poets' or 'the Boneyard Boys' began in pre-Romantic days with a leaning towards gloom, melancholy and the general decay of churchyards. It should be remembered that in the 18th century city graveyards were a teeming mass of overcrowding and disease, their country brethren better but hardly idylls of worship. What would eventually lead to the Gothic literary genre began, in the main, with reflections by Christian clergymen upon God, mortality and the assumed afterlife.