Showing results for "High" in Performing Arts

A comedy podcast about tier lists Hosted on Acast. See acast.com/privacy for more information.

Erik Knowles has a style all his own. He treats his audience members to a behind-the-curtain realness that feels as though he is speaking to a living room full of his own friends. His storytelling and effortless ability to cajole audiences into full belly laughs every 10 seconds draws comparisons to Christopher Titus and a clean version of George Carlin.

Blaze up and go brazy.

Comedians On South High follows Jason Banks, Bobbie Dodds, and Kenny Mock, with their host Jared Blinsky. Stories from working comedians on the road, from some of their most recent shows to the first time they took the stage, and how jokes get written - life, family, and more. Sit down and enjoy some laughs, with new shows released weekly. Recorded at Channel 511, a production of 511 South High Media at www.channel511.com.

Although less incendiary than the explosive Lenny Bruce and more homespun than the irascible Bill Hicks, Ryan Singer nonetheless shares DNA with those great comic commandos, each of whom shot from the lip with howitzers. On How to Get High Without Drugs, Singer seemingly lobs softballs instead of hand grenades when deftly and cleverly deriding hypocrites, homophobes and bigots. But just because he camouflages his contempt in sarcasm does not make him any less of a prickly provocateur than his predecessors.

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"Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take listeners—particularly self-described liberals—on a tour of contemporary conservative comedy and the "right-wing comedy complex."

Comic Owen Benjamin shares his infinite wisdom and musical ability; how Owen gets out of speeding tickets; and tackling Eddie Vedder.

On his sophomore album, Trevor Moore, head writer for "The Whitest Kids U' Know," spans all musical genres, creating hilarious and catchy songs that cover everything from gay marriage, online bullying, and monkey-revenge fantasies to a parallel universe where all of human history is repeated with kittens instead of people.

Wajatta (pronounced wa-Ha-ta), as the name suggests, is a mash-up of the artist’s last names. Having grown up with similar musical influences, Austrian-born Tejada and German-born Watts draw from their love of urban, electronic music. Exploring the intersection between influences and innovation, the two describe Wajatta's music as “electronic dance music with its roots in Detroit techno, Chicago house, '70s funk and New York hip hop.” Tejada's deep, melodic production makes the perfect backing for Watt's wide vocal range and live looping skills.