Showing results for "Hoops" in Literature & Fiction

हूप एंटरटेनमेंट प्रस्तुत करते हैं, मगध: एक खोज, एक ऑडिबल एक्सक्लूसिव शो

Hoop Entertainment prastut karte hain RAKSHAK ASHOKA'S 9, ek Audible Original peshkash.

UNDERCOVER: CODE: CHEETAH kahani hai ek daringbaaz ladke Ravi ki jiskey pitah, chacha aur fufaji ki nirmam hatya kar di jaati hai.

Chronicles of India audio series yaadgar banaata hai bharat ke swarnim itihaas ke bhule bisare panno ko jinki wazah se ye sadiyon purana safar aaz is mukaam par pahuncha hai.... Bharat yun hi nahin bana aur naa hi India yun ban gaya....

Ye vyatha hai society aur law and order ki upeksha ka dansh jhelte huye outlaw banane ki us ladki ki kahani jise Devi ke naam se sambodhit karke isi samaaj ne apni zimmedariyon se palla jhaad liya.

Fedor Sologub (1863-1927) was a mystic, a realist and a writer of novels and outstanding short stories in the Dostoyevsky school. "The Hoop" is very representative of his evocative work. It tells the story of an old man who is captivated by the sight of a young child playing with a hoop. The image embeds itself in his psyche and from it, right at the end of his life, he finally learns how to live in the moment.

Think you know what it's like being a baller's girl? You don't. My fairy tale is upside down. A happily never after. I kissed the prince and he turned into a fraud. I was a fool, and his love—fool's gold. Now there's a new player in the game, August West. One of the NBA's brightest stars. Fine. Forbidden. He wants me. I want him. But my past, my fraudulent prince, just won't let me go.

Mercy DeCorte was the good girl of the WNBA. With two rings, a thriving career, and an unblemished image, she didn't need someone like me in her corner, causing havoc. See me? I was the bad boy of the NBA, known to throw hands with anyone on and off the court. Associating with me would ruin Mercy's image. She knew that, but she didn't care.

‘Schroot/Hoop’ is een nieuwe fictiepodcast, waarin tien schijnbaar vervangbare objecten, achtergelaten in een kringwinkel, hun verhaal vertellen, hopend op een redding. ‘Schroot/Hoop’ is een project met steun van Stad Gent, Collectie van de Gentenaar, Sabam For Culture en Urban Innovative Actions (UIA), in samenwerking met Collectie van de Gentenaar, Ateljee, Victoria Deluxe en Designmuseum Gent.

December 1902. Een paar weken voor Kerstmis spoelt op het strand bij een kuuroord een schipbreukelinge aan. De jonge vrouw weet niet meer hoe ze heet, waar ze vandaan komt of wat er is gebeurd met het schip waar ze op zat. Haar enige bezit is de tak van een fruitboom die in haar kleren verstrikt is geraakt.

Pat Williams has drawn on his basketball industry connections to compile great stories from on and off the court. Fans will be inspired, surprised, and even amused, by inside stories from well-known coaches and players, fascinating looks behind the scenes, and anecdotes from the people who make it all possible - the fans. Includes first person stories from 21 basketball celebrities, plus Pat Williams.

On a bitterly cold night in December, 1943, government girl Louise Pearlie and her friend Joe Prager are enjoying a quiet drink in the Baron Steuben Inn, when a bloodstained body is discovered behind the bar. Although the victim had been a regular customer, no one seems to know anything about him. When it turns out there is a link to Louise’s top-secret work at the OSS, she is ordered to find out as much as possible about the murder while keeping the connection secret from those involved, including the investigating police detective.

It’s 1942 in Washington, DC. Louise Pearlie is now a chief file clerk at the legendary OSS, the precursor to the CIA, and enjoys being an independent working woman despite wartime privations. But a casual friendship struck up with Alessa di Luca, a secretive war refugee, sucks Louise into a dangerous game of mafia bosses, Nazi spies, banished royalty, and Sicilian aristocracy - placing not only her job but her life in jeopardy.

It’s 1942. Louise Pearlie, a young widow, has come to Washington, DC, to work as a clerk for the legendary OSS, the precursor to the CIA. When, while filing, she discovers a document concerning the husband of a college friend, Rachel Bloch—a young French Jewish woman she is desperately worried about—Louise realizes she may be able to help get Rachel out of Vichy France. But then a colleague whose help Louise has enlisted is murdered, and she realizes she is on her own, unable to trust anyone.

Swept up in a whirlwind courtship, Katja and Wasyl begin life anew in a Ukrainian settlement of Western Canada. The dusty Canadian prairies promise hope and independence, but when war breaks out between the old world and the new, their newfound stability is shattered. Rumors of the internment of Ukrainian-Canadians haunt the new settlers. Would the country they love betray them like this? An incident throws the couple and their young children into turmoil, and Katja faces the prospect of enduring a Canadian winter without Wasyl by her side.

February, 1944. Washington, DC. With the war entering its most dangerous phase, Louise Pearlie is thrilled to be reassigned to the London office of the OSS. But in order to take up her new post, she must make a perilous crossing of the Atlantic Ocean in the SS Amelia Earhart. Accompanying her on the voyage to Liverpool is an eclectic group of passengers, including the aloof Blanche Bryant, whose husband, Eddie, died in mysterious circumstances on the ship’s voyage out to New York, three months before.

The 1940s, Washington, DC. Government girl Louise Pearlie has a new job inside the OSS - the Office of Strategic Services: recruiting German prisoners of war for a secret mission inside Nazi Germany. It’s a big chance for her, and Louise hopes she can finally escape her filing and typing duties. With the job comes two new colleagues: Alice Osborne, a propaganda expert, and Merle Ellison, a forger from Texas who just happens to speak fluent German. But when the three arrive at Fort Meade to interview the first German POWs to arrive there, their mission is beset by complications.

Ein musikalisches Hörspiel für Eltern und Kinder, in dem vieles genau umgekehrt ist als in Wirklichkeit. Manches ist auch nur Quatsch - aber ganz schön guter! 1979: Das war eine Zeit, da wurde in der Pädagogik des wohlanständigen Bürgertums noch völkisch abgedampft, und die Ohrfeige galt als äußerst nützliches Kommunikationsmittel mit Kindern. Kennzeichnend für diese Gesellschaft war die von der Bildzeitung ein Jahr zuvor angeschobene Aktion "Ein Herz für Kinder".