Showing results for "I" in Writing, Research & Publishing Guides

"They Say / I Say" identifies the key rhetorical moves in academic writing, showing students how to frame their arguments in the larger context of what others have said and providing templates to help them make those moves. And, because these moves are central across all disciplines, the audiobook includes chapters on writing in the sciences, writing in the social sciences, and - new to this edition - writing about literature.

In this essay, Orwell describes his personal journey to becoming a writer and offers some important motives for writing. Moving from his experience of writing his first completed poems to trying his hand at short stories, to finding fame as a fully fledged writer, Orwell discusses the importance of writing, his continuous technique and sets out some important motives for becoming a writer yourself.

“Who else wants to write a book this weekend?” It’s easier than you think! Best-selling author Vic Johnson actually wrote this book in a weekend to prove how easy it is. And he gives you step-by-step detail of everything he did, including the resources he uses to turn out content-rich books in no time at all. How to Write a Book This Weekend is a perfect strategy for first-time book writers who have been discouraged by the thought of pounding out words for months at a time.

Writing advice tends to be full of "rules" and "tips" which are either too broad to be helpful or outright wrong. In On Writing and Worldbuilding, we will discuss specific and applicable ideas to consider, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire.

Penguin presents the audiobook edition if First You Write a Sentence by Joe Moran, read by Roy McMillan. The sentence is the common ground where every writer walks. A poet writes in sentences, but so does the unsung author who came up with Items trapped in doors cause delays. A good sentence can...

Named a Best Book of the Year by: Time * New Yorker * Sunday Times (UK) From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity—and how it saved her life. In this brilliant, fierce, and funny memoir of transformation, Jami...

It’s no secret that amazing television starts with a great script. But what makes a television screenplay compelling? An effective screenplay is a blueprint, a loan application, and work order. But first and foremost, it must be a work of art and a captivating read all on its own. Using his script for the proposed reboot of Xena, Javier Grillo-Marxauch (Lost, The Witcher, The Dark Crystal: Age of Resistance) shares what he does to make a fascinating television screenplay, from the first slug line to the final fade to black.

Do you want to know a secret? Marketing stinks. I have a feeling you might agree. In fact, odds are that when you started your business, you didn't start it because you wanted to get involved with marketing. You were good at something or had something to sell, and you wanted to do it for yourself. And now marketing feels like one of those necessary evils you just can't get away from. But you know what? You're not alone. And...there's hope.

Crime fiction is the single most popular genre in international publishing, and Australia has some of the finest practitioners when it comes to walking the mean streets and nailing the bad guys. Australia's best crime writers - Michael Robotham, Kerry Greenwood, Shane Maloney, Peter Corris, Tara Moss and more - share the secrets to their success, their best-ever writing tips and their favourite 'must reads'. An ideal guide for aspiring writers and crime fiction fans alike.

In this revealing compendium, acclaimed writer Diana Gabaldon shares her invaluable lessons for creating an immersive reading experience, from evoking a mood to using the power of emotions to communicate physical intimacy. You'll learn the difference between gratuitous sex and genuine encounters that move the story forward and how to handle less-than-savory acts that nevertheless serve a narrative purpose. Gabaldon also notes that sex can be conveyed instead of described.

A self-proclaimed 'myth buster by trade', over her long-ranging career as a journalist and political activist, Barbara Ehrenreich has delved with devastating wit and insight into the social and political fabric of America. Had I Known gathers together Ehrenreich's most significant articles and excerpts from the last four decades.

Lo storytelling ha il potere unico di creare connessioni emozionali autentiche tra te e il tuo pubblico e sempre più aziende e professionisti si sono accorti dell'importanza di comunicare il proprio "lato umano" online.

In questo corso ti insegnerò i principi fondamentali di una corretta scrittura per il web con lo scopo di migliorare da subito la qualità dei tuoi articoli, post e contenuti pubblicati online.

I'll share the specific process I use to write articles, from initial concept to final publication, including the step-by-step details. If this topic interests you, hopefully you’ll gain some insights that will help you improve your craft of writing. I don't write the way I was taught in school, nor do I write like many people would expect. I can’t guarantee that my approach will work for you, but there’s no doubt that it works well for me. Obviously I write a lot, and I like to think I've gotten pretty good at it.

Are you ready for business? First you need a plan . . . A selection from the bestselling Rich Dad Advisors: Winning Business Plans...

In questo saggio raccoglie 37 passi celebri di altrettanti classici della letteratura, analizzando i dettagli e i meccanismi che costituiscono il vero segreto della scena in questione, il suo "dietro le quinte". Ne emerge un godibile ed efficace manuale di scrittura creativa, perché composto proprio con "l'aiuto" dei grandi scrittori.