Showing results by narrator "Larissa Thompson" in All Categories

Writing advice tends to be full of "rules" and "tips" which are either too broad to be helpful or outright wrong. In On Writing and Worldbuilding, we will discuss specific and applicable ideas to consider, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire.

Adrift in the divide between galaxies and surrounded by the vast emptiness of the intergalactic void, the Tantalus Cluster is the only home humanity has ever known. Desperate and facing starvation, humanity’s only hope is a strange nebula that has suddenly appeared beyond the edge of the cluster. Its shifting clouds may hide a source of salvation for the people of Tantalus, but time is running out.

Almost 10 years after learning that her son is autistic, Julie Green was also diagnosed, shedding light on a lifetime of feeling othered and misunderstood. Motherness traces Julie's journey from childhood to early motherhood, when she must advocate for her son while navigating her own struggles. With more girls and women being diagnosed in the last decade—many of them later in life—the face of autism is changing. Motherness provides a rich, intensely personal account of what it is like to be autistic through the lens of both a mother and child.

Isabel Fontaine’s lavish lifestyle came to a crashing halt the night the General Chanzy sank. At 18, she had everything — fine luxuries, a prominent family, and an extravagant estate in Marseille. The one thing she didn’t have was her freedom. As the sole heir to the Fontaine fortune, her future was forged with a betrothal to a stranger from a foreign country, but when her family perishes at sea, Isabel sees this as a chance to hide her identity and change her fate.

A girl suddenly vanishes from her world and finds herself drifting in and out of consciousness in a world of pure darkness. The only insight into her precarious situation is a prompt opening before her eyes indicating that the system failed to delete her. The doggedly optimistic and naive teenager, Naomi, is reborn as a monster into a fantastical world governed by the rigid rules of a suspiciously game-like system; a world full of magic and danger where the familiar mingles with the inexplicable.

The experience of motherhood is monumental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it? Good Mom on Paper is a collection of twenty essays that goes beyond the clichés to explore the fraught, beautiful, and complicated relationship between motherhood and creativity. Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers and asks how we can better support their work.

In The Third Person, a collection of uncanny short stories by Emily Anglin, a sequence of tense professional and personal negotiations between two people is complicated when a third person arrives. Within these triangulated microworlds, disorienting gaps open up between words and reality: employees dissolve from job titles, neighbors overstep comfortable boundaries, voices distanced by space or time make their presence felt. Uneasiness builds among these separate but entangled lives.