Showing results for "I" in Gothic

È il 1584 quando, orfana, Emily St. Aubert raggiunge la zia Madame Cheron: un rifugio che presto si rivela prigione. Il matrimonio di lei con il conte Montoni la trascina in un dedalo di torri aguzze, stanze invase dall'ombra e corridoi in cui ogni eco vibra come un presagio. Quando cala la notte, note lontane e sussurri intrappolati nelle mura guidano Emily fino a lettere ingiallite, dietro a tende consumate dal tempo. Il conte Montoni la fissa con gelida determinazione, desideroso di soffocare ogni barlume di speranza.

In early 1900s New York, former ballerina Petronille De Villier makes an unconventional choice: Marry struggling sculptor Arkady Kamenev. For her, it’s an escape from her family’s unsavory legacy. For him, the De Villier name promises the patronage his art desperately needs. It should be a simple arrangement. But beneath their marriage of convenience lurks a darker recognition. In each other, they see a reflection of their own dangerous appetites. As buried secrets surface and bodies begin disappearing, Petronille and Arkady discover their union runs deeper than social advantage.

È il 1584 quando, orfana, Emily St. Aubert raggiunge la zia Madame Cheron: un rifugio che presto si rivela prigione. Il matrimonio di lei con il conte Montoni la trascina in un dedalo di torri aguzze, stanze invase dall'ombra e corridoi in cui ogni eco vibra come un presagio. Quando cala la notte, note lontane e sussurri intrappolati nelle mura guidano Emily fino a lettere ingiallite, dietro a tende consumate dal tempo. Il conte Montoni la fissa con gelida determinazione, desideroso di soffocare ogni barlume di speranza.

Brought to you by Penguin. Discover the gothic horror phenomenon that is sweeping across Europe, with over 2 million copies sold As the dark and menacing waters of the local river submerge Perdido, a small town in the south of Alabama, the Caskeys - a family of rich landowners - must confront...

Durante un viaggio in canoa sul Danubio, due uomini sono costretti a fermarsi su un'isola a causa della corrente. Quello che doveva essere un tranquillo campeggio temporaneo si trasforma in un'esperienza inquietante e soprannaturale: i salici che ricoprono l'isola sembrano muoversi e bisbigliare, al soffio del vento, dando l'impressione di essere vivi; si percepisce la presenza di entità ostili invisibili e spaventose, che mettono in dubbio ogni capacità di raziocinio.

Cristiano is my enemy. He’s also the only man with whom I’ve ever felt safe. Protected. But I have to remember that he married me with one purpose in mind. Revenge. I would be the bridge to his real enemies. I can’t let myself forget that he isn’t the hero of this story. His hands are covered in blood. I saw that with my own eyes.

Durante mucho tiempo, la literatura victoriana—y en particular, su vertiente gótica y fantástica—fue leída como un territorio casi exclusivamente masculino: poblado por nombres consagrados, firmes, autoritarios, asociados a una idea de genio literario que rara vez admitía fisuras. El gótico, lo sobrenatural y lo inquietante ofrecieron a las mujeres escritoras de la época algo que otros géneros les negaban: la posibilidad de hablar de poder, de miedo, de deseo, de opresión.

As she nears the end of her life, Addie Bundren wants nothing more than to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. A captivating and stylistically innovative work, the narrative revolves around the grim, yet darkly humorous, pilgrimage as the Bundren family sets out to fulfill her last wish.

I misteri del castello di Udolfo fu pubblicato nel 1749 ed ha in se tutti gli elementi del romanzo gotico: paure , minacce fisiche e psicologiche, eventi apparentemente soprannaturali, ambientazione in castelli in rovina e ricchi di passaggi segreti, un’eroina virtuosa perseguitata. Il tutto incorniciato da descrizioni meticolose e pittoriche dei Pirenei e degli Appennini. La scrittura di Ann Radcliffe ha ispirato Jane Austen, Charlotte Bronte, ma anche Dickens e altri grandi romanzieri. Cornice musicale di Ludwig van Beethoven.

Il 14 dicembre 1994 non è un mercoledì come tutti gli altri a Peckham Rye, nel sud di Londra. Diana Lloyd giace ai piedi delle scale della sua antica villetta a schiera in stile georgiano. Qualcuno l’ha spinta giù dal terzo piano, prendendola alle spalle. La pioggia batte incessante sui vetri e Diana ha la vista oscurata, riesce solo a sentire il bisbigliare confuso dei suoi inquilini. L’anziana proprietaria non voleva che quella bizzarra famiglia piena di debiti entrasse in casa sua, ma non si possono scegliere gli inquilini in quella parte della città. La casa di Rye Lane allontana tutti.

Mary W. Shelley (1797-1851)Mary Wollstonecraft Godwin nació el 30 de agosto de 1797 en Londres (Inglaterra). Era hija única del filósofo William Godwin y la escritora feminista Mary Wollstonecraft. Mary creció y se educó en un ambiente intelectual y progresista, que marcaría fuertemente su personalidad.

Il rampollo della famiglia Delapore si trasferisce nella tenuta di famiglia in Inghilterra. Qualche giorno dopo il trasloco, il protagonista ed il suo gatto iniziano a sentire degli strani rumori, come di topi che zampettano dietro ai muri. Le indagini sulla causa dei rumori avrà dei risvolti a dir poco inquietanti. Le famose storie dell’orrore dello scrittore statunitense Howard Phillips Lovecraft continuano a far discutere gli appassionati, incerti se collocarle nella categoria del fantastico più originale o delle cronache di un possibile domani.

Andrew's acclimation to his post-transition body isn't easy. His senses are sharper, he's bigger, stronger, and hungrier. Nathalie fears that the changes in the man she loves are more than physical. Measuring up to this new version of him is going to be a challenge. Carol and Robert are disillusioned with each other. They are not destined mates, and love is not on the horizon. When Robert's three months are up, he might be left with nothing to show for his sacrifice.

Andrew and Nathalie's love flourishes, but the secrets they keep from each other taint their relationship with doubts and suspicions. In the meantime, Sebastian and his men are getting bolder, and the storm that's brewing will shift the balance of power in the millennia-old conflict between Annani's clan and its enemies.

The new ghost in Nathalie's head remembers who he was in life, providing Andrew and her with indisputable proof that he is real and not a figment of her imagination. Convinced that she is a Dormant, Andrew decides to go forward with his transition immediately after the rescue mission at the Doomers' HQ. Fearing for his life, Nathalie pleads with him to reconsider. She'd rather spend the rest of her mortal days with Andrew than risk what they have for the fickle promise of immortality.

When Andrew is forced to retire from active duty, he believes that all he has to look forward to is a boring desk job. His glory days in special ops are over. But as it turns out, his thrill ride has just begun. Andrew discovers not only that immortals exist and have been manipulating global affairs since antiquity, but that he and his sister are rare possessors of the immortal genes. Problem is, Andrew might be too old to attempt the activation process. But fate may force his hand.

Onboard the Anna, Amanda suspects that something fishy is going on. But when her investigation of the peculiar all-female Russian crew fails to uncover anything other than more speculation, she decides it's time to stop playing detective and face her real problem - a man she shouldn't want but can't live without.

When the rescue team returns with Amanda and the chained Dalhu to the keep, Amanda is not as thrilled to be back as she thought she'd be. Between Kian's contempt for her and Dalhu's imprisonment, Amanda's budding relationship with Dalhu seems doomed. Things start to look up when Annani offers her help, and together with Syssi they resolve to find a way for Amanda to be with Dalhu.

Since the dawn of human civilization, two warring factions of near-immortals - the descendants of the gods of old - have been secretly shaping its destiny. Amanda's small clan champions progress and peace, while their powerful enemy, the Doomers, propagates ignorance and war. Descending from a single goddess - the only one to survive the ancient cataclysm that wiped out her kind - Amanda's clan members are forbidden to each other.

While sheltered in the clan's stronghold, Syssi is unaware that Kian and Amanda are not human, and neither are the supposedly religious fanatics that are after her. She feels a powerful connection to Kian, and as he introduces her to a world of pleasure she never dared imagine, his dominant sexuality is a revelation. Considering that she's completely out of her element, Syssi feels comfortable and safe letting go with him. That is, until she begins to suspect that all is not as it seems.