Showing results for "I" in History & Criticism

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. Told entirely in their voices, I Thought I Heard You Speak is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

A captivating oral history of the iconic music venue the Stone Pony and of the rise, fall, and rebirth of Asbury Park, New Jersey—featuring interviews with Bruce Springsteen, Steve Van Zandt, Southside Johnny, members of the E Street Band and Asbury Jukes, the Ramones, the Jonas Brothers, Jack...

Melodías del alma nos invita a embarcarnos en un viaje musical a través del tiempo, apelando a los clásicos de ayer y de hoy al compás de las estaciones del año, y a sumergirnos en las resonancias musicales de las profundidades del alma recorriendo la cartografía de las emociones que cada estación suscita en la autora a lo largo de las cincuenta y dos semanas del año. En este singular ejercicio de maridaje, cada una de las trece emociones asociadas a cada estación se acompaña de una composición que la representa.

Drawing on new research and enlivened by Touré's unique pop-cultural fluency, I Would Die 4 U relies on surprising and in-depth interviews with Prince's band members, former girlfriends, musicologists, and even Bible scholars to deconstruct the artist's life and work. Prince's baby boomer status allowed him to play a wise older brother to the latchkey kids of Generation X. Defying traditional categories of race, gender, and sexuality, he nonetheless presented a very traditional conception of religion and God in his music.

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

February, 1940. After a decade of worldwide depression, World War II had begun in Europe and Asia. With Germany on the march and Japan at war with China, the global crisis was in a crescendo. America's top songwriter, Irving Berlin, had captured the nation's mood a little more than a year before with his patriotic hymn "God Bless America."

Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I'd Fight the World, Peter La Chapelle traces the deep bonds between country music and politics. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world.

Paul Morley had stopped being surprised by modern pop music and found himself retreating into the sounds of artists he loved when, as an emerging music journalist in the '70s, he wrote for NME. But not wishing to give in to dreary nostalgia, endlessly circling back to the bands he wrote about in the past, he went searching for something new, rare and wondrous - and found it in classical music.

I episode 2 af "Historien om Malurt" skal du høre om, da forsanger Michael Falch og guitarist Christian Arendt møder hinanden som små knægte i slutningen af 1970'erne i den lille sønderjyske by, Tønder. Hvordan blev Malurt til et af 1980'ernes mest toneangivende danske rockbands? Fortællingen begynder i den sønderjyske by Tønder, hvor de to knægte Michael Falch og Christian Arendt møder hinanden. Det bliver de to, der sammen med guitaristen Peter Mors i 1977 i et øvelokale i Folkets Hus på Jagtvej 69 i København danner Malurt.

Dieser Popsplit handelt von dem Beatles-Song "I want to hold your hand" und davon, wie Bob Dylan den Beatles das Kiffen beibrachte...

Der Titel ist Teil des Pop-Splits "The Fab Four - 21 Geschichten der Beatles".