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Discourse on the Origin and Basis of Inequality Among Men was written in response to a competition run by the Academy of Dijon answering the prompt: What is the origin of inequality among men, and whether such inequality is authorized by natural law? Rousseau puts forth the concept of two types of inequity: natural/physical and moral/political. He focuses on moral inequality and its link to power and wealth. He also covers the areas of self-love, compassion for others, and free-agency.

Dr. Johnson may have been correct in saying that “Rousseau was a very bad man,” but none can argue that his ideas are among the most influential in all of world history. It was Rousseau, the father of the romantic movement, who was responsible for introducing at least two modern day thoughts that pervade academia. The Confessions is Rousseau’s landmark autobiography. Both brilliant and flawed, it is nonetheless beautifully written and remains one of the most moving human documents in all of literature.

Man is born free, and everywhere he is in chains. In The Social Contract, Rousseau explores the concept of freedom and the political structures that may enable people to acquire it. He argues that the sovereign power of a state lies not in any one ruler but in the will of the general population. Rousseau argues that the ideal state would be a direct democracy where executive decision making is carried out by citizens who meet in assembly, as they would in the ancient city-state of Athens.

Rousseau's Social Contract remains, after a quarter of a millennium, one of the most controversial texts in the history of political philosophy, variously seen as a model for participatory democracy, a blueprint for totalitarianism, and several points in between. In addition to Rousseau’s magnum opus, this production includes an introduction by George Douglas Howard Cole, an English political theorist, economist, writer and historian. Also included are three discourses that Rousseau composed apart from The Social Contract.

Es ist das politisch-theoretische Hauptwerk des Schweizer Philosophen Jean-Jacques Rousseau: Der Gesellschaftsvertrag. Das Werk erschien zuerst 1762 in Amsterdam und wurde sofort darauf in zahlreichen Ländern verboten. Im Geiste der Aufklärung versucht der Autor, Grundlagen moderner Demokratie in Worte zu fassen. Dass die alleinige Grundlage legitimer politischer Macht immer nur der allgemeine Wille sein kann, der auf das Gemeinwohl abzielt, war ein Gedanke, der große Kreise zog - und unleugbar die französische Revolution beschleunigte.

On the Social Contract's appeal and influence has been wide-ranging and continuous. It has been called an encomium to democracy and, at the same time, a blueprint for totalitarianism. Individualists, collectivists, anarchists, and socialists have all taken courage from Rousseau's controversial masterpiece.

Emilio o De la Educación de Jean-Jacques Rousseau es una obra filosófica fundamental que explora cómo educar a un ser humano libre, íntegro y feliz. Aunque escrita en el siglo XVIII, su mensaje sigue siendo profundamente relevante hoy, especialmente si se analiza desde una perspectiva de autoayuda y desarrollo profesional.

Discourse on the Origin and Basis of Inequality Among Men by the philosopher Jean-Jacques Rousseau was originally written for an essay competition run by the Dijon Academy of Arts and Sciences in 1754. The question was, "What is the origin of inequality among men, and is it authorized by the natural law?" Rousseau's text is divided into four main parts: a dedication, preface, an extended inquiry into the nature of the individual, and another inquiry into the evolution of the human species within society.

Published four years after Rousseau's death, Confessions is a remarkably frank and honest self-portrait, described by Rousseau as "the history of my soul". From his idyllic youth in the Swiss mountains, to his career as a composer in Paris and his abandonment of his children, Rousseau lays bare his entire life with preternatural honesty.

Jean-Jacques Rousseau es recordado como uno de los grandes pensadores del siglo XVIII, pero su obra El Contrato Social es más que un tratado político: es también una guía profunda para la libertad personal, la autodisciplina y el crecimiento interior. Si bien se enmarca en el contexto de cómo debe organizarse un Estado justo, sus enseñanzas pueden leerse como una metáfora poderosa sobre cómo ser el soberano de tu propia vida.

Rousseau érige dans cet ouvrage un système entier d'éducation, loin des conventions sociales et des dogmes religieux : l'Église jusqu'alors détentrice du monopole en matière d'éducation, condamne l'auteur à la prise de corps ; l'ouvrage est brûlé en place public, fustigé par ses ennemis philosophes... Un ouvrage, toujours d'actualité, loin des caricatures dont on le pare sans même parfois, l'avoir lu...

Als Rousseau 1765 der Bitte seines Verlegers nachkam, seine Lebensgeschichte zu Papier zu bringen, konnte er nicht ahnen, dass seine Bekenntnisse noch Jahrhunderte später als Schlüsselwerk gelten würden. Zum ersten Mal boten die niedergeschriebenen Erinnerungen eines Schriftstellers mehr als allgemeine Gedanken zu Gesellschaft und Religion. Sie wurden zur präzisen Auseinandersetzung mit der eigenen Persönlichkeit. Das intime Psychogramm des Pädagogen und Philosophen Rousseau in der Lesung von Joachim Höppner bietet mehr als 30 Stunden Hörgenuss.

Pour la première fois en livre audio, cette œuvre magnifique composée de l'intégrale des "Confessions", suivie des "Rêveries du Promeneur Solitaire", est admirablement servie par toute la sensibilité de Philippe Bertin. Plus de 27h d'écoute pour le plaisir du cœur et de l'esprit.

L'intérêt du livre audio ne se révèle jamais tant que par des lectures de lettres : l'auteur apparait alors comme surgi d'outre-tombe.

"Affreuse illusion des choses humaines ! Elle me reçut toujours avec son excellent cœur, qui ne pouvait mourir qu'avec elle ; mais je venais rechercher le passé qui n'était plus, et qui ne pouvait renaître... A peine eus-je resté une demi-heure avec elle, que je sentis mon ancien bonheur mort pour toujours."

"J'ai dit la vérité : si quelqu'un sait des choses contraires à ce que je viens d'exposer, fussent-elles mille fois prouvées, il sait des mensonges et des impostures ; et s'il refuse de les approfondir et de les éclaircir avec moi tandis que je suis en vie, il n'aime ni la justice ni la vérité."

Immerse yourself in the complex emotions and experiences of the young Jean-Jacques, as he enters adulthood under the guidance of his maman, his primary source of comfort. I loved her too much to desire her, he confesses, hinting at the depths of their bond that surpasses typical relationships. However, his happiness is tainted by an undefined sadness, a sense of guilt as if he has committed incest. Despite their closeness, she doesnt share his remorse, for she never sought pleasure. Join us as we navigate the tangled web of his emotions in these volumes.

Dive deep into the soul of Rousseau as he courageously embarks on a profound journey of self-introspection in Confessions. These first two volumes, as presented in this 1903 edition, dive into his early years, exploring his upbringing and youthful indiscretions. The narrative, reminiscent of Proust’s A la recherche du temps perdu, dwells on the dual nature of man, the vile and the virtuous. Be prepared for Rousseaus raw honesty as he unveils embarrassing and humbling experiences, aiming for an ultimate, soul-baring transparency that may be both unsettling and enlightening. (Summary by ...

Immerse yourself in the world of young Jean-Jacques Rousseau who is swayed more by the slightest pleasures at his fingertips than all the delights of paradise. His emotional vulnerability leads him on a series of adventurous escapades with drifters and outcasts, always culminating in a reunion with his mother figure, Madame de Warens. In an unparalleled act of self-disclosure, Rousseau starts Volume 3 with a scandalously indecent act in a dark alleyway. This 1903 edition, failing to understand the comically strange tone of the passage, omits it to shield the reader. (Summary by Martin Geeson)

"Je forme une entreprise qui n'eut jamais d'exemple, et dont l'exécution n'aura point d'imitateur. Je veux montrer à mes semblables un homme dans toute la vérité de la nature ; et cet homme, ce sera moi. (...) Que la trompette du jugement dernier sonne quand elle voudra, je viendrai, ce livre à la main, me présenter devant le souverain juge. Je dirai hautement : Voilà ce que j'ai fait, ce que j'ai pensé, ce que je fus."