Showing results for "Knife" in Women Sleuths

After inheriting her uncle's Red River Gorge homestead in Eastern Kentucky - smack dab in the middle of the Daniel Boone National Forest - Miranda comes up with a perfect business plan for summer tourists: pairing outdoor painting classes with sips of local moonshine, followed by a mouthwatering sampler of the best in southern cooking. To Miranda's delight, Paint & Shine is a total success - until someone kills the cook. As the town's outsider, suspicion naturally falls on Miranda.

A young woman returns home to the small claustrophobic town of Knife River. When Jess was thirteen, her mother went for a walk and did not return - now, fifteen years later, bones have been discovered in the woods nearby. Jess's sister has remained in their childhood home - her life, their home and the town itself seemingly frozen in time. As days turn into weeks, Jess's understanding of the past, her sister, and herself become more and more complicated - and the list of suspects responsible for her mother's terrible fate more and more ominous.

It takes a strong woman to be able to watch someone die. Brigid Quinn is tough, determined, steely and sharper than sharp. As an ex-agent of the FBI, she has seen it all - and survived. But nothing can cut her closer to the bone than family.... When Brigid gets a call from her mother saying her father is in hospital with pneumonia, she decides to check on her former colleague Laura Coleman, who is living nearby. Having saved Brigid's life, Laura is now working on an innocence project, investigating cold cases.

6.45 a.m. A sweltering London rush hour. And in the last 27 minutes, seven people have been murdered. In a series of coordinated attacks, seven men and women across London have been targeted. For journalist Famie Madden, the horror unfolds as she arrives for the morning shift.

When Hollywood wants to do a remake of the film that made Tode Hall famous, India and Egbert are delighted. They envisage a summer of free money and star-studded dinner parties ahead. But the Hall is soon overrun by wardrobe trucks and catering tents and lusty, insecure actors squabbling about nudity clauses. When the movie's producers threaten to sue over the exact colour of Tode Hall's rolling lawns, India and Egbert realise that having a film crew on their doorstep isn't such a breeze after all.

Christmas has come to Lighthouse Cove, but business hasn’t slowed down for Shannon Hammer. She’s been contracted to renovate a local hotel owned by the Garrisons, a family that’s so devoted to the holidays they serve a seven-course dinner every night from Thanksgiving through Christmas. Last year’s festivities featured a train that transported guests around the breathtaking Cliffside property. This year, Shannon and her crew have been commissioned to build a Victorian-style carnival midway with games and prizes galore.

When Minerva identifies a murder weapon as a priceless sixteenth-century artifact, she's sure her eyes must be deceiving her. Even by Bryd Hollow standards, five hundred years seems like an absurd amount of time to hold a grudge. The knife can't possibly be real. Can it? Each bizarre secret she uncovers leaves Minerva more determined to get to the bottom of the blade's origins. But the deeper she digs, the more she angers and alienates her new friends. And the police. And possibly a few unsavory criminals.

When a body turns up in the dumpster behind Caroline's Cupcakes, Holly White is horrified to learn her best friend, Caroline, is the main suspect. Everyone in town, including Mistletoe, Maine's sheriff, saw Caroline fighting with the victim on the night of his death. Worse, Caroline's fingerprints are all over the murder weapon, a custom-designed marble rolling pin. Now, just 10 days before Christmas, Holly's up to her jingle bells in holiday shenanigans and in desperate need of a miracle.