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This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade--Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem...

A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and ‘30s.

Langston Hughes was a man far ahead of his time, but his actions were often unpredictable, contradictory and refused classification. To give an example, he campaigned tirelessly for civil rights but then testified before the controversial House Committee on Un-American Activities, seen by many as a witch-hunt. Rather than ignoring or excusing these contradictions, Bonnie Greer confronts them, highlighting the many contradictions present in both his day and ours and painting an unforgettable portrait of a man caught up in strange and contradictory times.

Find out how a young boy from the Midwest became one of the most important writers and activists of the Harlem Renaissance in this addition to the #1 New York Times bestselling series! Langston Hughes was born in Joplin, Missouri, and was raised by his grandmother, who told him many stories of...

In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s. His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and...

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Langston Hughes is a widely celebrated African American writer and important leader of the 1920s Harlem Renaissance. Deeply inspired by the great poet Walt Whitman, Hughes’ own writings gave voice to the Black community in the American literary canon. His assertion that “I, too, sing America” echoes through history and continues to be a battle cry in the fight for fair representation and equality. The Weary Blues, published in 1926, was Hughes’ first collection of poetry. He was only twenty-four years old at the time, but his insights carry wisdom beyond his years.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Hear rare recordings from five of the most-respected African American poets reading their own works: Langston Hughes, "The Negro Speaks of Rivers"; Arna Bontemps, "Nocturne At Bethesda"; Countee Cullen, "Heritage"; Gwendolyn Brooks, "The Vacant Lot"; and Sonia Sanchez, "Black Magic".

In this volume we collect together poets who, by the difference in the colour of their skin, were treated with such disdain and racism that it is difficult to believe that poetry of such tenderness, beauty and authority could exist.

You are INVITED. To a most marvelous party. For a most marvelous man. A man who turned the alphabet into THUMP A BUMP. Who turned words into JAZZ into RIVERS into BUSTIN' A MOVE. All of his word-children will be there, uh-huh. Because it’s a party for LANGSTON. Langston Hughes. King o’ Letters. Renaissance Man. So don’t be shy. Come on in. To the Hoopla in Harlem. EVERYONE is welcome.

This unique collection, compiled especially for Naxos AudioBooks, features original recordings from 1908 to 1947 of Booker T. Washington's "Atlanta Exposition Address", the poetry of Paul Laurence Dunbar and Langston Hughes, the rarely heard humour of Charley Case, readings from "God's Trombones" by James Weldon Johnson, and much more.

Klaus Kinski war ein wahrer Meister des Sprechtheaters, der sein Publikum gleichermaßen schockierte und faszinierte. Kinski erlangte vor allem für Rezitationen bekannter Philosophen und Dichter hohe Aufmerksamkeit. Kinskis Vortag wollte erfühlt, verstanden und gleichzeitig genossen sein, in seiner üppig überschäumenden Sinnlichkeit, die aufs Ganze ging, den Menschen mit Haut und Haaren visierte, den Zuhörer zu packen versuchte - um jeden Preis.