Showing results for "Marriages" in European

Ted Hughes married Sylvia Plath in 1956, at the outset of their brilliant careers. Plath's suicide six-and-a-half years later, for which many held Hughes accountable, changed his life, his closest relationships, his standing in the literary world, and brought new significance to his poetry.

The Marriage of Heaven and Hell by the English poet William Blake consists of a series of texts written in the style of biblical prophecy but expressing Blake's own beliefs. Composed between 1790 and 1793, the book makes reference to Milton and Swedenborg, and adopts a device from Dante's Divine Comedy and Milton's Paradise Lost: a visit to hell. Blake expresses a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are both part of the divine order.

Forerunner to the renowned operas, The Figaro Plays by Pierre Augustin Caron De Beaumarchais are a celebration of how intelligence and wit can bring any servant level with their aristocratic masters. Considered scandalous in their time, the plays went on to be adapted by Rossini (The Barber of Seville) and Mozart (The Marriage of Figaro) to become some of the most popular and acclaimed operas of all time. These original plays show us the stories behind these popular operas.

Olga, Masha, and Irina lead a drab life in a provincial garrison town. Their love lives and marriages leave a lot to be desired, and they dream of eventually escaping to Moscow. Some critics called this the best drama of the 20th century.

A BBC Radio 4 full-cast production of one of the earliest plays by Alan Bennett. The 1970s are a time of change, but Labour MP George Oliver feels stuck in one place: distrusting the ‘mawkish mentality’ of the young and fearing the encroaching life of the middle-aged, with little to look forward to but the imminent end of a not-very-interesting road.

The Three Sisters is Anton Chekhov's 1901 play about the Prosorov family, who are stuck in a provincial Russian town. The sisters - Olga, Masha, and Irina - fantasize about one day returning to Moscow. Meanwhile, their brother Andrey courts village girl Natasha, and the family socializes with the soldiers stationed nearby. Dreams, longing, and illicit love drive the action of Chekhov's comic drama.