Showing results for "Miller" in Composers & Musicians

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

Weaving together more than a hundred interviews with Davis's bandmates, family members, friends, and peers, this book powerfully reconstructs Davis's extraordinary life and career. Washita Love Child thoroughly and finally restores the "red dirt boogie brother" to his rightful place in rock history, cementing his legacy for generations to come.

Before The Voice and American Idol, there was Star Search with Ed McMahon. In the first season, an eclectic and charismatic country-rock band called Sawyer Brown appeared on the show, taking America by storm. From ignored underdogs in Nashville to overnight rock stars from LA to New York, they swept the competition and won. Since 1984, “the boys"' legendary live shows, along with their relentless drive to stay true to themselves, have captivated faithful fans around the world.

An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work.

The Indiana Jones of rock history and founding curator of the Rock and Roll Hall of Fame Museum narrates the Hall's wild history and his quest to build its collection from scratch—from Ozzy Osbourne's country manor to Keith Moon’s childhood bedroom and Art Garfunkel’s personal archives—including stories about Debbie Harry, Mick Jagger, Chuck Berry, Bob Dylan, Bruce Springsteen, and more.

When he died suddenly at the age of 26, Otis Redding (1941-1967) had already become the conscience of a new kind of music. Sure, Berry Gordy might have built the first black-owned music empire at Motown, but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story - still largely untold - is one of great conquest but, sadly, grand tragedy.