Showing results for "Music" in Military

The Survivors has descriptive copy which is not yet available from the Publisher...

When called up to fight in yet another World War, Drum Major Jackson promised his beloved wife, Mabel, that he would return to lead his band and play for her once more. In May 1940, he was captured at Dunkirk and interned in several German forced labour camps throughout Poland. Two years later, he was transferred to Auschwitz IV. When his captors appointed Jackson their ‘Kapellmeister’ (man in charge of music), he seized the opportunity to provide entertainment for his fellow prisoners at rehearsals and cover for escapees during concerts.

The Sunday Times bestseller THE STORY OF BRITAIN during the long reign of Queen Elizabeth II. Find out how Britain changed in this entrancing, lively portrait of Britain’s Elizabethan Age by bestselling writer and broadcaster Andrew Marr Britain changed fundamentally during the Queen’s long...

For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's "These Boots Are Made for Walkin'". For a "tunnel rat" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's "Purple Haze". For a black marine distraught over the assassination of Martin Luther King, Jr., it was Aretha Franklin's "Chain of Fools".

Arthur Briggs's life was Homeric in scope. Born on the the tiny island of Grenada, he set sail for Harlem during the Renaissance, then to Europe in the aftermath of World War I, where he was among the first pioneers to introduce jazz music to the world. During the legendary Jazz Age in Paris, Briggs's trumpet provided the soundtrack while Hemingway, Fitzgerald, and the rest of the Lost Generation got drunk. By the 1930s, Briggs was considered "the Louis Armstrong of Paris," and was the peer of the greatest names of his time, from Josephine Baker to Django Reinhardt.

With war clouds gathering and harassment increasing, the stars of Continental opera, many of whom are Jewish, face dark futures under the boot heel of the Nazis. What can two middle-aged British spinsters do about such matters? They can form a secret cabal right under Hitler’s nose and get to work saving lives. The sisters conspire to bring together worldwide opera aficionados and insiders in an international operation to rescue Jews in the opera from the horrific fate that everyone intuits is coming.

Former Polish teenage piano prodigy Mosha Gebert is teaching when the Nazis come for her. They kill her student, but she is taken to Majdanek concentration camp. There, Commandant Josef Hanke spots her and recognises her as the pianist he fell in love with years earlier. Hanke demands that Mosha play ‘Ode to Joy’ for him, but she refuses. She will never play in such a horrific place – or for such an evil monster. So begins a battle of wills and repeated torture.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

In October 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d'Arguto. Many in the group did not live to see morning, and those who survived were deported to Auschwitz-Birkenau. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but became friends with d'Arguto in Sachsenhausen. D'Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps.

Based on the true story of her mother, Mona Golabek describes the inspirational story of Lisa Jura's escape from Nazi-controlled Austria to England on the famed Kindertransport. Jewish musical prodigy Lisa Jura has a wonderful life in Vienna. But when the Nazis start closing in on the city, life...

In the spring of 1933, more than 8,000 Jewish musicians, actors, and other artists were expelled from their positions with German orchestras, opera companies, and theater groups. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created to allow Jewish artists to perform for Jewish audiences.