Showing results for "Peter" in History & Criticism

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.

When Peter Bellerby set out to make a globe for his father's eightieth birthday, after failing to find a suitable one to purchase, he had no idea where the process would lead. He went on to establish Bellerby & Co, one of the only artisan globemakers in the world. The Globemakers brings us inside Bellerby’s gorgeous studio to learn how he and his team of cartographers and artists bring these stunning celestial, terrestrial, and planetary objects to life. Along the way he tells stories of his adventure and the luck along the way that shaped the company.

Hot Cold Heavy Light collects 100 writings - some long, some short - that taken together form a group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

The story of dealers of Old Masters, champions of modern art, and victims of Nazi plunder. Since the late-1990s, the fate of Nazi stolen art has become a cause célèbre. In Belonging and Betrayal, Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to...

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

What is art? A mere imitation of life or something far greater—an act of creation that reveals the soul of the universe? Ralph Waldo Emerson, the philosopher-poet of American transcendentalism, elevates art beyond the canvas, beyond words, beyond form itself. In this essay, he explores the divine spark within creativity, arguing that true art is not bound by technique or tradition but flows from the spirit of the artist, a force both mysterious and essential.