Showing results for "Plato" in Ethics & Morality

About 2,500 years ago, Plato wrote a set of dialogues that depict Socrates in conversation. The way Socrates asks questions, and the reasons why, amount to a whole way of thinking. This is the Socratic method - one of humanity’s great achievements. More than a technique, the method is an ethic of patience, inquiry, humility, and doubt. It is an aid to better thinking, and a remedy for bad habits of mind, whether in law, politics, the classroom, or tackling life’s big questions at the kitchen table.

For more than two millennia, philosophers have grappled with life's most profound and "eternal" questions. It is easy to forget, however, that these questions about fundamental issues like justice, injustice, virtue, vice, or happiness were not always eternal. They once had to be asked for the first time. This was a step that could place the inquirer beyond the boundaries of the law. And the Athenian citizen and philosopher who took that courageous step in the 5th century B.C. was Socrates.

The definitive translation of Plato's Republic, the most influential text in the history of Western philosophy “No one else has even come close to balancing Bloom’s fidelity to Greek with intelligible English prose.”—National Review Long regarded as the most accurate rendering of Plato's...

Brought to you by Penguin. This Penguin Classic is performed by Justin Avoth and Laurence Dobiesz. This definitive recording includes an introduction by Christopher Rowe read by Justin Avoth. 'Consider just this, and give your minds to this alone: whether or not what I say is just' Plato's...

How people around the world grapple with the great questions posed by Socrates. What is virtue? What is moderation? What is justice? What is courage? What is good? What is piety? Socrates thought that understanding the perspectives of others on these six great questions would help him become a...

The Apology of Socrates was written by Plato. In fact, it's a defensive speech of Socrates that he said in a court noted down by Plato. The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn't be afraid of the death because we don't know anything about it. Socrates proved that the death shouldn't be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can't be called evil. Consequently, the death shouldn't be treated as evil.

What is love? In poetry, songs, fiction, movies, psychology, and philosophy, love has been described, admired, lamented, and dissected in endless ways. Is love based on physical attraction? Does it bring out our better selves? How does it relate to sex? Is love divine? Plato's Symposium is one of the oldest, most influential, and most profound explorations of such questions—it is even the source of the idea of "Platonic love."

He wondered how best to cultivate qualities that make us better individuals within a society. Plato parlays this chaos into a recipe for living a good life, the building blocks of which are outlined in this book. Each of Plato's works is discussed, and important parallels to modern life are made with lessons you can draw from.

Meno is a Socratic dialogue written by Plato. In it, the two characters, Meno and Socrates, discuss "arete", or virtue. This dialogue is also famous for introducing "Meno's Paradox".

Compilación de los 12 libros del filósofo Griego Platón sobre las leyes. Un manifiesto de la buena organización política y social de aquella época.

In this provocative audio course, you will explore Greek philosophy in its historical context, in which philosophy was not just an intellectual pursuit but a way of life integrating the mind, body, and cosmos. By delving into the works of Greece’s greatest thinkers, including Socrates, Plato, and Aristotle, you’ll gain powerful tools for self-discovery.

In Plato's Ion Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's dialogues.