Showing results for "Plus" in Genre Fiction

"If it were I who were to be always young and the picture to grow old, I would give my soul for it." So says Dorian Gray, Oscar Wilde's brilliant creation who sells his soul for youth and beauty.

New York City, 1943. From jazz clubs to back alleys, passion and peril collide in this slow-burn sapphic love story that simmers through every twist and turn. Nightclub singer–turned–OSS spy Kathryn Hammond has a past she can’t outrun and a mission she can’t afford to fail. But when fearless reporter Jenny Ryan becomes her assignment, sparks fly and everything starts to unravel.

Hundreds of years ago, on a wild sea coast, two bold-hearted men met in combat and love...This is the story of Caius, a Christian monk struggling to reconcile his sensual nature with his newfound faith, and of Fenrir, a ferocious Viking raider abandoned by his comrades and left for dead. When Caius takes pity on the wounded man, his brethren are horrified: what kind of wolf has Cai brought into the fold?

It's 1946, and the dust of World War Two has just begun to settle. When famous archaeologist Rufus Denby returns to London, his life and reputation are as devastated as the city around him. He's used to the most glamorous of excavations, but can't turn down the offer of a job in rural Sussex. It's a refuge, and the only means left to him of scraping a living. With nothing but his satchel and a mongrel dog he's rescued from a bomb site, he sets out to investigate an ancient church in the sleepy village of Droyton.

Inspired by Nigeria's folktales and war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. Ijeoma comes of age as her nation does; born before independence, she is 11 when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and the star-crossed pair fall in love. They are from different ethnic communities. They are also both girls.

Fueled by tomato sandwiches and green milkshakes, and obsessed with cars, Philbet struggles with life and love as a gay boy in rural Georgia. He’s happiest when helping Grandaddy dig potatoes from the vegetable garden that connects their houses. But Philbet’s world is shattered and his resilience shaken by events that crush his innocence and sense of security; expose his misshapen chest skillfully hidden behind shirts Mama makes at home; and convince him that he’s not fit to be loved by Knox, the older boy he idolizes to distraction.

In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.

Saying that Benjamin Sean Quinn had "anger issues" was an understatement. For those who knew him for the shortest amount of time, his life was in order: He was physically fit, had a great job which provided him a house in the suburbs and the material things he desired, a loving, monogamous relationship, two happy, healthy daughters and an established circle of friends. In all accounts, his life seemed perfect. But to those who knew him the longest, they knew he was an idle grenade, waiting for someone to pull the pin.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

The streets have been my home for as long as I can remember. To get by, I use my magic tricks, bringing smiles to the faces of adults and children alike. As a warlock, my powers are limited. Nothing like a witch's magical skills. Basically, I'm a glorified magician as well as a second-class citizen. Fine. It doesn't get me down. I have my cat Fizz and Kylie Minogue's music to keep me going as I dream big. I know there's a better life out there for me.

Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the center of so many local mysteries? Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone.