Showing results for "Plus" in Magical Realism

Chandrakanta is a romantic fantasy novel written by Devaki Nandan Khatri, a popular writer from the first generation of modern Hindi novelists. This book is considered to be one of his finest works, and it has spawned numerous sequels related to the original story. The story centres around a romantic couple, each of whom came from kingdoms at dissent with each other. Chandrakanta is the princess of Vijaygarh while Virendra Singh is the prince of Naugarh. Kroor Singh, one of the courtiers in the King’s court at Vijaygarh, is a schemester with grand plans of his own.

In these 12 masterly stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.

On her 12th birthday, Sierva Maria - the only child of a decaying noble family in an 18th-century South American seaport - is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur.

Kenna is a human in a magic-biased world, but a night at the club changes everything. There she meets four sexy strangers who unbind the magic she never knew she had. Now, she needs their help to train her wild and unpredictable magic and to find the truth of who she really is before someone she loves gets hurt. She is tormented by events in her past, and the secret she has guarded for so long threatens to destroy everything.

From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the listener to a world that is at once fanciful and real.

Un hombre regresa al pueblo donde ocurrió un asesinato desconcertante 27 años atrás, con la determinación de descubrir la verdad. Todos parecen estar de acuerdo en que Bayardo San Román, sólo unas horas después de su matrimonio con la bella Ángela Vicario, la devuelve por deshonrada a la casa paterna. La atribulada familia fuerza a la novia a revelar el nombre de su primer amante; y los hermanos gemelos de ella anuncian su intención de matar a Santiago Nasar por haber deshonrado a su hermana.

In a rare and gorgeous departure, beloved novelist Alice Hoffman weaves a web of tales, all set in Blackbird House. This small farm on the outer reaches of Cape Cod is a place that is as bewitching and alive as the characters we meet. These interconnected narratives are as intelligent as they are haunting, as luminous as they are unusual. Inside Blackbird House more than a dozen men and women learn how love transforms us and how it is the one lasting element in our lives.

Nicole has wanted to own a haunted car her entire teenaged life, and when she finally finds one - a junker of a Chrysler Neon with its own tragic backstory - her best friend, Johnny, has some serious doubts. Would a demon even want to possess a Chrysler Neon? But when the two of them take it for a test drive, Johnny’s doubts begin to fade: The steering wheel burns hot, the car traps Johnny in the back seat, and is Nicole even driving? Or is the car driving itself? They soon find themselves forced to face the potential evil controlling the car, and possibly even themselves.

Yarima Lalo believes he has been murdered twice before. The cause? Love. To make sense of these vivid memories he cannot shake, he travels from Abuja to Kano with his new friend and love interest Aziza to meet an old woman who he might have known in a past life. She is skeptical at first - and hesitant to revisit painful memories of her own - but together, they dig deeper and deeper into the past, piecing together a shared history with ripple effects that could shape Lalo’s future.

Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.

Once upon a time, there was a forgotten era of magic and monster. But the remnants—and all memory—of the old world have been replaced by the sane, the scientific, and the rational. But sometimes the magical past isn’t content to stay past. That’s where Jack Damian comes in. It’s his joy to protect our present from the supernatural remnants of an earlier time, a different history. It’s his job to make the past safe. Jack is called to the Tate Museum, where dozens of people have disappeared beneath the surface of a painting.

Gabriel García Márquez’s most political novel is the tragic story of General Simón Bolívar, the man who tried to unite a continent. General Simon Bolívar, known in six Latin American countries as the Liberator, is one of the most revered heroes of the western hemisphere; in García Márquez’s brilliant reimagining, he is magnificently flawed as well. The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations.

Book editor Emily Bryant finds herself unexpectedly in the charming town of Cascata on California’s Lost Coast, holding the keys to her grandmother’s rambling Victorian mansion. While sorting through her grandmother’s things, Emily learns that she must edit old manuscripts to inherit the estate. It’s a strange request from a family member who was basically a stranger. Emily quickly realizes that there’s something different about these manuscripts. Any changes she makes come true.

If Tipsy Collins learned one thing from her divorce, it’s that everyone in Charleston is a little crazy - even if they’re already dead. Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she has always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes that some ghosts won’t be ignored. Till death do us part didn’t pan out for Jane and Henry Mott, who have haunted the house for nearly a century.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Living in a peaceful, prosperous African-American neighborhood in Los Angeles, Mack Street is a mystery child who has somehow found a home. Discovered abandoned in an overgrown park, raised by a blunt-speaking single woman, Mack comes and goes from family to family, a boy who is surrounded by boisterous characters and yet deeply alone.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

In her rural Appalachian holler, 10-year-old Misty’s closest friends are the crawdads. Misty can speak to them, to the birds, to the creek, to everything outside, and she understands how they think. She knows that if she could just speak to her parents in the same way, she could stop all the fighting. But it’s too hard. Strange things start to happen in the holler. When her friend William takes their friendship too far, Misty’s need to connect is greater than ever, but it’s hard to talk about what you don’t understand.

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.