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One of the great innovators in American letters, Walt Whitman created a daringly new kind of poetry that became a major force in world literature. Leaves of Grass is his masterpiece, written in a pure, uninhibited style, combining sensual and mystical sensibilities. Its bold, joyous voice, its expansive optimism, and its transcendental vision made it uniquely American.

The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.

First published in 1855, when Whitman was 37, Leaves of Grass announced a new voice and style in American letters. It attempted to reach out to the common person with an optimistic epic that took the nation as its subject and encouraged readers to connect with nature and unite in a harmonious society where race and class are transcended.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

In the preface to Leaves of Grass, Whitman states, "The United States themselves are essentially the greatest poem". The themes of equality for all people, fertility, sacredness of self, beauty in death, love of comrades, and the immortality of the soul prevail.

This is the long first piece in the first edition of Walt Whitman's classic poetry collection. Among other things, it contains Whitman's philosophy of life and his opinion of the purpose of poets and poetry. Though created when he was in his mid-30s, Whitman spent much of the rest of his life rewriting Leaves of Grass.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Victor Hugo is one of the best-known French writers, and is part of the greatest literary figures of all time. His poetry made him famous very early, cementing his reputation as one of the greatest lyric poets when he was only 20 years old. He was also a novelist and a dramatist, and furthered the cause of Romanticism, this exalted artistic movement which toyed with Sublime and soared on the winds of emotion.

Una tarde de otoño cualquiera el poeta se funde completamente con el medio natural y escucha la conversación de dos hojas secas cualesquiera que se encuentran al borde del camino en la que una le cuenta a la otra como ha llegado hasta allí arrastrada por el torbellino de aire, mientras que la otra ha llegado a lomos de las aguas del río y sólo un último vendaval ha sido capaz de levantarla y de traerla donde se encuentra.