Showing results for "Popular Music" in History

"A dauntingly ambitious, obsessively researched" (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions. Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate...

From the storied ache of mbube harmonies of the ‘40s to the electronic boom of kwaito and the amapiano and house explosion of the ‘00s, this book explores vignettes taken from across South Africa’s popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality.

Beatleness explains how the band became a source of emotional, intellectual, aesthetic, and spiritual nurturance in fans’ lives, creating a relationship that was historically unique. Looking at that relationship against the backdrop of the sexual revolution, the Vietnam War, political assassinations, and other events of those tumultuous years, the audiobook critically examines the often-heard assertion that the Beatles changed everything.

In this engaging preface by W.S.B. Mathews, the author sets out to present a comprehensive yet accessible exploration of musics rich history‚Aîall within the confines of a single, concise volume. With a keen focus on the vibrant developments of recent times, this work aims to resonate with contemporary readers by highlighting the significance of musics evolution. A glance at the Table of Contents (pages 5-10) reveals the breadth of topics covered, which is remarkable given that renowned musical historians like Naumann, Ambros, and F©tis have needed three to ten times more space to address ...

In this series of podcasts, University of Liverpool academics explore the Institute of Popular Music's archive, and, in particular, the Robert Pring-Mill collection of Latin American 'canciones de lucha y esperanza'; 'songs of hope and struggle'. This includes sound recordings, posters, albums and ephemera from Chile by artists such as Víctor Jara and Violeta Parra. Podcast episodes will explore different aspects of memory and well-being, using archives for intergenerational musical reminiscences, the work of IPM musicologist Jan Fairley and the Merseyside Chile Solidarity Campaign.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.