Showing results for "Publishing" in Black & African American

In Hate Crime Hoax, professor Wilfred Reilly examines over 100 widely publicized incidents of so-called hate crimes that never actually happened. With a critical eye and attention to detail, Reilly debunks these fabricated incidents - many of them alleged to have happened on college campuses - and explores why so many Americans are driven to fake hate crimes. We're not experiencing an epidemic of hate crimes, Reilly concludes - but we might be experiencing an unprecedented epidemic of hate crime hoaxes.

Frederick Douglass (1818–1895) was a former slave who became a social reformer, orator, writer, and statesman. One of the most prominent figures in the anti-slavery movement, Douglass emerged as a national leader of the abolitionist movement, speaking and writing widely on behalf of the cause. In this classic work, Douglass gives a firsthand account of his life from birth through his time spent in slavery, his escape to freedom in 1838, and his transition from bondage to liberty.

Denied its true place in history, the pre-Civil War black press was a forward looking, socially responsible press. Through her analysis of the content of black newspapers and magazines from the 1830s to the 1860s, Frankie Hutton not only presents a prism through which to view the social origins of black journalism in America, but also examines how this little-known ethnic press interfaced with the whole of journalism during the dark ages of the profession.

The Cotton Kingdom recounts his daily observations of the curse of slavery: the poverty it brought to both black and white people, the inadequacies of the plantation system, and the economic consequences and problems associated with America’s most “peculiar institution.” Disproving the opinion that “cotton is king”, Olmsted examined the huge differences between the economies of the northern and southern states, contrasting the more successful, wealthy, and progressive North with the South, which was stubbornly convinced of the necessity of slavery.

Eminent scholar Peter Irons makes a powerful and persuasive case that Blacks have always been held back by systemic racism in all major institutions that can hold power over them. Based on a wide range of sources, from the painful words of former slaves to test scores that reveal how our education system has failed Black children, this searing and sobering account of legal and extra-legal violence against Blacks peels away the fictions and myths expressed by White racists.

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time.

When Cassandra Lane finds herself pregnant at 35, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the 20th-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt’s lynching at the hands of vengeful White men in his Southern town.

In the first half of the 20th century, Dunbar was an academically elite public school, despite being racially segregated by law. By the 1950s, Dunbar High School was sending 80 percent of its students to college. Today, as with too many troubled urban public schools, the majority of Dunbar students struggle with reading and math. Journalist and author Alison Stewart, whose parents were both Dunbar graduates, tells the story of the school’s rise, fall, and path toward resurgence.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

"Great Speeches by Frederick Douglass" is a pivotal collection showcasing Frederick Douglass's eloquence, determination, and leadership in advocating for the abolition of slavery and civil rights.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party.

On February 22, 1855, the Elizabeth Jennings v. Third Avenue Rail Road case was settled: The jury stunned the courtroom with a $250 verdict in Lizzie’s favor. Future president Chester A. Arthur was Jennings’ attorney, and their lives would be forever intertwined. This is the story of what happened that day. It’s also the story of Jennings and Arthur’s families, the struggle for equality, and race relations. It’s the history of America at its most despicable and exhilarating. Yet few historians know of Elizabeth Jennings or her impact on desegregating public transit.

Back to Black seeks to show us the long, powerful and painful history of Black radical politics. Born out of resistance to slavery and colonialism, its rich past encompasses figures such as Marcus Garvey, Angela Davis, the Black Panthers and the Black Lives Matter activists of today. At its core, the book argues that racism is inexorably embedded in the fabric of society, and that it can never be overcome unless by enacting change outside of this suffocating system.

The remarkable story of the seven African American soldiers ultimately awarded the World War II Medal of Honor, and the 50-year campaign to deny them their recognition. In 1945, when Congress began reviewing the record of the most conspicuous acts of courage by American soldiers during World War II, they recommended awarding the Medal of Honor to 432 recipients. Despite the fact that more than one million African-Americans served, not a single black soldier received the Medal of Honor. The omission remained on the record for over four decades.

In January of 1950, Mary Church Terrell, an 86-year-old charter member of the NAACP, headed into Thompson’s Restaurant, just a few blocks from the White House, and requested to be served. She and her companions were informed by the manager that they could not eat in his establishment, because they were “colored.” Terrell, a former suffragette and one of the country’s first college-educated African-American women, took the matter to court. Three years later, the Supreme Court vindicated her outrage: District of Columbia v. John R. Thompson Co., Inc. was decided in 1953.

Published in 1924 in response to growing racial tensions, W. E. B. Du Bois’ The Gift of Black Folk explores the contributions African Americans have made to American society, detailing the importance of racial diversity to the United States. He chronicles their role in the early exploration of America, their part in developing the country’s agricultural industry, their courage on the battlefields, and their creative genius in virtually every aspect of American culture.

Was America founded on the auction block in Jamestown in 1619 or aboard the Mayflower in 1620? The controversy erupted in August 2019 when the New York Times announced its 1619 Project. The Times set to transform history by asserting that all the laws, material gains, and cultural achievements of Americans are rooted in the exploitation of African Americans. Historians have pushed back, saying that the 1619 Project conjures a false narrative out of racial grievance.

In 1860, a ship called the Clotilda was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the US from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders.

Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. African American victims and survivors had to find a way to live through and beyond the horrors of lynching. Crabtree offers a theory of African American collective trauma and memory rooted in a strategy for “working through” trauma that has long existed within the African American cultural tradition: the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain.

Malcolm X’s powerful 1964 speech Ballot or Bullet is a bold call for political action and self-determination. Delivered after his break from the Nation of Islam, it marks a turning point in his evolution—blending Black nationalism with a new urgency for civil rights through the vote. This edition includes a brief introduction, the full unabridged speech, and a reflective afterword exploring its lasting legacy.