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Traversing temporalities and global boundaries, Racial Fictions reveals the inter-connectedness of America’s domestic racial struggles and international colonial ambitions. Carby challenges readers to confront uncomfortable truths about the persistence of white supremacy, the violence embedded in historical memory, and the silencing of marginalized voices. The result is a profound exploration of the intricate and enduring legacies of race, imperialism, and violence in the formation of modern identities and nation-states.

On October 20, 1973, in San Francisco, a White couple strolling down Telegraph Hill was set upon and butchered by four young Black men. Thus began a reign of terror that lasted six months and left 15 Whites dead and the entire city in a state of panic. The perpetrators wanted nothing less than a race war.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

After refusing to participate in a police department cover-up involving the death of a young black man, Chicago detective Ashe Cayne is pushed out of the force. But he won’t sit quietly on the sidelines: he’s compelled to fight for justice as a private investigator. When a young woman, Tinsley Gerrigan, goes missing, her wealthy parents from the North Shore hire Cayne to find her. As Cayne looks into her life and past, he uncovers secrets Tinsley’s been hiding from her family. Cayne fears he may never find Tinsley alive.

Between 1910 and 1920, vigilantes and law enforcement-including the renowned Texas Rangers - killed Mexican residents with impunity. The full extent of the violence was known only to the relatives of the victims. The Injustice Never Leaves You offers an invaluable account of why these incidents happened, what they meant at the time, and how a determined community ensured that the victims were not forgotten.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

Luis J. Rodriguez writes about race, culture, identity, and belonging and what these all mean and should mean (but often fail to) in the volatile climate of our nation. His passion and wisdom inspire us with the message that we must come together if we are to move forward.

Cedric J. Robinson is one of the doyens of Black Studies and a pioneer in study of the Black Radical Tradition. His works have been essential texts, deconstructing racial capitalism and inspiring insurgent movements from Ferguson, Missouri, to the West Bank. For the first time, Robinson's essays come together, spanning over four decades and reflective of his interests in the interconnections between culture and politics, radical social theory, and classic and modern political philosophy.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

In a speculative dystopian thriller based on the premise that the South won the Civil War, President Spencer Jefferson Lee is shocked to discover that underneath the facade of civil order in his world of very separate races, there is dissent. A protest group made up of "losers" among this "ideal" society— same-sex and cross-racial lovers and their children— threatens the seeming peace and order.

Light-skinned Selina Standish lives a life of emotional pain and torment. In 1906, at the age of eight, she is convinced by her mother, actress Lavinia Standish, the daughter of a slave, to pass as white. Although Selina yields to her mother's insistence to pass, she refuses to cut ties completely with her Negro relatives, including her twin brother, a child her mother deems too dark. However, at age 17, in the year 1915, Selina meets wealthy Southerner Jack Cosgrove, the man of her dreams. Keeping her ancestry a secret, Selina is conflicted by Jack's negative attitude toward her race.

Celebrated actress Lavinia Hargraves performs her most challenging role offstage. Although born in 1872 to Daniel Taylor, a white man and wealthy landowner in Southern California, Lavinia's mother, Lori, is a Negro and former slave. Lavinia, who appears white, is desperate to hide her Negro ancestry as well as pursue her dream of becoming the world's greatest actress.

The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country's founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.

Eddie Asher arrives at Hudson Valley Psychiatric Hospital panicked that he may have murdered his brother’s fiancée, Lucy, with whom he shared a profound kinship. He can’t imagine doing such a terrible thing, but Eddie hasn’t been himself lately. Eddie’s anxiety is nothing new to Pär, the one Eddie calls his Other, who protects Eddie from truths he’s too sensitive to face. Or so Pär says. Troubled by Pär’s increasing sway over his life, Eddie seeks out Dr. Richard Montgomery, a specialist in dissociative identities.

“This isn’t a story about black people—it’s a story about the Left’s agenda to patronize blacks and lie to everyone else.” For decades, the Left has been putting on a play with themselves as heroes in an ongoing civil rights move­ment—which they were mostly absent from at the...

Na varanda do seu apartamento, uma mulher branca de classe média lê uma matéria sobre uma outra mulher, preta e pobre, vítima de tráfico sexual. Sob o impacto dessa história, passa a imaginá-la, entrelaçando duas narrativas: as suas próprias experiências erótico-amorosas e as noites assustadoras de escravidão sexual dessa personagem que ela chama de Maria e que poderia ser qualquer mulher.

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