Showing results for "Radio Wars" in Politics & Social Sciences

Hired by the Tibetan government, Royal Air Force veteran Robert W. Ford put together a radio communications network for a nation that had up to this time relied on messages carried by foot over the highest mountains on the globe. More important, his radio connected the secluded nation to the outside world. When, in October, 1950, the Communist Chinese army began its march to subjugate Tibet, Ford risked his life by staying behind to send out reports over his radio to let the world know.

Summer, 1945. The war is over, and Germany has surrendered. Across Europe, the top surviving Nazis are being tracked down, arrested and imprisoned in a once-opulent Luxembourg hotel, on 24-hour suicide watch. Now, the Allies must decide what to do with them. After much deliberation, Britain, America, Russia and France agree that Hitler's high command must be formally tried. This will be an entirely new kind of trial, with utterly new charges: those of 'crimes against humanity' and 'genocide'. And before it can even take place, numerous crises and obstacles must be overcome.

Cold War Radio is a fascinating look at how the United States waged the Cold War through the international broadcasting of Voice of America (VOA) and Radio Free Europe/Radio Liberty (RFE/RL). Mark G. Pomar takes listeners inside the two radio stations to show how the broadcasts were conceived and the impact they had on international broadcasting, United States-Soviet relations, Russian history, and the dissolution of the Soviet Union.

"The Sound of War" was an 18-episode radio series, produced by the Westinghouse Broadcasting Company, that documented World War II using actual radio broadcasts from the era. The program combined these historical recordings with orchestral music and narration to provide a chronological account of the conflict, featuring voices like Hitler, Roosevelt, and Churchill.

Words at War was a 30 minute dramatic anthology series dealing with stories condensed from books written about World War II. The series started in the middle of the war and at the most crucial time of the war for the allies, somewhat heightening its debut. Not only that, it was supported by Johnson's Wax in the Fibber McGee and Molly time slot as Jim and Marian Jordan went on vacation. And if that wasn't enough, the music for the series was done by NBC's own Frank Black, a master at orchestration and the shows were often directed by Anton M. Leder of Suspense fame. Adding to all of that ...

A talk by Robert Fisk, the Middle East correspondent for the London Independent and the author of Challenging Empire and the Great War for Civilisation: The Conquest of the Middle East. Introduced by Noam Chomsky. Recorded live on April 9, 2006, at MIT in Cambridge, Massachusetts.

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Cold War Radio is an effort to ensure this period in our history is not forgotten or rewritten. The show provides analysis of current events as well as reflections into the post WWII decades. Your Host Hutch Bailie Jr. mans the Northeast Command deep down in the Bunker, Dr Ward Miller is in on Monday and Wednesday, Friday it's Week In Review with Jack from Northern Virginia. Rocky has your back in the chatroom. Support the show if you can at http://www.patreon.com/cwr you can cancel at anytime. Don't believe the Left, it's not over. Mon - Wed - Fri 8:00 PM EST

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

"Eyes Aloft" was a radio show produced during WWII for the volunteers of the Aircraft Warning Service. The show provided information and updates to the volunteers who were responsible for watching the skies for enemy planes entering American airspace. It was a half-hour weekly broadcast that was also transcribed for broadcast by the Armed Forces Radio Service (AFRS).

The "Dear Adolf" radio podcast refers to a series from 1942 produced by the Council for Democracy, inspired by letters written to Hitler by ordinary Americans after the Pearl Harbor attack. It is also the title of a BBC "Archive on 4" program from 2012 that examined these historical recordings and their background. More recently, historical podcasts have also released similar content, such as the World War 2 Radio Podcast episode titled "Dear Adolf - Letter from an American Soldier" and Harold's Old Time Radio's "Dear Adolf 42-07-12 (4) Letter From An American Housewife".

"Forth for the Fifth" is a mishearing of "Four for the Fifth," a series of World War II radio programs that were part of the Fifth War Loan Drive in 1944. The shows were produced by the U.S. Treasury Department to boost national morale and sell war bonds to help fund the war effort.The title "Four for the Fifth" referred to the four radio shows produced to support the fifth war loan drive, which began on June 12, 1944, just six days after the D-Day landing.The episodes were written by notable radio dramatists Arch Oboler and William Robson.Four for the Fifth was produced by the US Treasury...

During WWII, American radio served two primary functions: to keep the domestic audience informed about the war through news and commentary, and to boost the morale of troops abroad through dedicated broadcasts. Programs like "America Looks Abroad" and the "CBS World News Roundup" informed the public about the crisis in Europe, while the Armed Forces Radio Service (AFRS) provided entertainment to soldiers overseas. The Voice of America also began broadcasting U.S. war news to European audiences.

"Soldiers of the Press" was a weekly WWII radio drama series created by the United Press news agency to dramatize the real-life adventures of its war correspondents. The show ran from 1942 to 1945, with each episode being a 15-minute production that used actors, sound effects, and sometimes the actual voice of a correspondent to tell a story based on a recent news wire story. The series was offered for free to local radio stations that subscribed to the United Press news service.

Welcome to "Steve Bannon's War Room Radio" channel. There're a lot of fake news in the world and it's difficult for everyone to get the truth. We serve you the radio here for the world. You can watch the original videos at the following website if you want. We hope that you approve of our activity and can contribute it from the dollar button next to our subscribed one. Thank you. 1.Bannon's War Room https://pandemic.warroom.org/ 2.Bannons War Room https://rumble.com/c/BannonsWarRoom P.S. Missing numbers are 2nd Edition Episode 14,24 and 3rd Edition Episode 20,21,238,373,374,2051.

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

"You Can't Do Business With Hitler" was a World War II propaganda radio series produced by the U.S. Office of War Information (OWI). It was based on Douglas Miller's book, which detailed his experiences as the American commercial attaché in Berlin and warned against the dangers of Nazi Germany's economic and social policies. The program aired on hundreds of stations to help the war effort by exposing the Nazi regime's deceitful trade practices and human rights abuses, according to WNYC, The Unwritten Record, and Old Time Radio Catalog.

Jesus Christ and Him crucified should be the burning rally cry of Christians today. Yet, the fiery proclamation of faith in the life, death, burial, resurrection and reign of the Lord Jesus Christ has gone lukewarm in the hearts and mouths of modern Christians. War Vessel Radio desires to see a revival in this generation of men and women. That they would be awakened to live fully for the life, power, and truth of Jesus Christ and His Word, the Bible. Through conversation centered on Jesus and an exploration of Scripture–War Vessel Radio wants to stand as a voice of truth motivating ...

Each week since October 2004, host Gerald Prokopowicz and a guest discuss the various aspects of Civil War History. Each show consists of an hour long conversation with guests from the very well known historians James McPherson, Doris Kearns Goodwin and Gary Gallagher to mention a few. Gerald also speaks with artists such as Don Troiani, filmmakers Ken Burns, re-enactors Rob Hodge, novelists Jeff Shaara, curators, game designers, children’s authors, collectors, and others. In addition to well known names like the ones mentioned, the show often features authors of first books who are just ...