Showing results for "Recordings" in Movie, TV & Video Game Tie-Ins

In the early 1990’s, Hellboy, Liz Sherman, and Abe Sapien are drawn into a bizarre case in New York, linked both to Hellboy’s 1980 adventure with Anastasia in Brazil and to The Lobster’s encounter with the Proteus Club in 1933. A strange community of bizarre humans has been living in secret beneath Manhattan for more than sixty years. Now, though, someone is stalking them, murdering them one by one—someone who claims to be the ancient goddess Sem-Karul. With aid from the now elderly Cynthia Tynan, Hellboy and the BPRD must face the Goddess of Manhattan, and the monsters who serve her.

Hosted by Cecil B. DeMille and starring numerous icons of the screen, this collection of old-time radio classics includes six episodes of The Lux Radio Theatre - one of the longest running, most extravagant shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures, making this lavish production a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

D has crossed over the southern border, into the domain of the cruelest and most evil of the royalty, General Gaskell. On the way, he picks up a "victim" — one of few survivors in the villages-and makes way with her and the Deliverers. Along the way, he is attacked by the Drowned, and fights many more unspeakably horrible enemies. All of this suggests that Gaskell — who was supposed to have been put to death under the light of the sun — is still very much alive. But why?

When Arkham Advertiser reporter Andy van Nortwick receives a mysterious film reel in the mail, with a simple note: "Maude Brion is very much alive!", he steps onto a path which will lead him to the brink of madness. Brion, the famous actress and film director, vanished a year ago on an ill-fated expedition into the Amazon rainforest, delving into the legend of the Spider Queen. Thrilled by the prospect of his big break, Nortwick swings the funds to launch a rescue mission. He gathers a team of explorers and a keen folklorist to bring back Brion and cement his reputation.

Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might be too late.

Countess Alessandra Zorzi, international adventurer and thief, arrives in Arkham pursuing an ancient body freshly exhumed from a mound in Oklahoma. Before she can steal it, another party beats her to it. During the resulting gunfight at the Miskatonic Museum, the countess makes eye contact with the petrified corpse and begins an adventure of discovery outside her wildest experiences. Now, caught between her mysterious client, the police, and a society of necrophagic connoisseurs, she finds herself on the trail of a resurrected mummy as well as the star-born terror gestating within it.

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. Enjoy eight of the greatest hour-long episodes from this famed radio series.

Granny Viper is a "people finder," a searcher for lost souls along the roads of a forbidding wasteland. Her latest mission: the safe return of a young woman named Tae, kidnapped eight years ago by vampire nobility and held in Castle Gradinia on the Frontier's far border. But rescuing Tae is only half the battle—Viper knows she and the girl can't cross the formidable expanse to the town of Barnabas alone. After making the fatal mistake of hiring the mercenary Bullow Brothers to help her, Granny turns to the legendary Vampire Hunter D for salvation.

In the title story, "Dark Nocturne", D is hired to unlock the secret of a siren's song that is drawing men in their twenties to their deaths in the hills outside Anise Village. In "Notes on Imagined Autumn", D finds himself caught between two lovers during a ritualistic sacrifice in the village of Shirley's Door, but if D can't stop the sacrifice will all in the village be doomed? And in "Legend of the War Demons", two living weapons, genetically engineered creatures who are the last remnants of a war waged hundreds of years in the past, find that battle is not so easily forgotten.

This radio dramatization of the classic movie originally aired on March 29, 1943.

The labyrinth of tunnels beneath Corvis is home to some of the city’s worst criminals, but now even these hardened thugs have reason to watch their step in the dark, shadowy undercity. Death moves in that darkness, leaving behind a trail of horribly mangled bodies. The identity of the killer is a mystery, although his calling cards - brutally savaged corpses and a distinct, repulsive odor - are constants at each bloody murder scene.

This radio dramatization of the classic movie features the original stars, including Barbara Stanwyck, who re-creates her Oscar-nominated role. It aired on October 11, 1937.

This radio dramatization of the classic movie, which also starred Gary Cooper, originally aired on November 2, 1936.

This radio dramatization of the classic movie originally aired on November 13, 1948.

This radio dramatization of the classic Hitchcock movie originally aired on December 13, 1937.

In a world where even the smallest and most remote village is being terrorized by the monsters that stalk the night, there is a hamlet, prosperous and peaceful, where mortals and vampires have lived in harmony for years. It is there that seventeen-year-old Sheavil Schmidt has slept, neither waking nor aging, for thirty years since first receiving the vampire's immortal kiss.

This radio dramatization of the classic movie, featuring the original stars, aired on December 31, 1945.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.