Showing results for "Robert W. Chambers" in Horror

I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon... I pray God will curse the writer, as the writer has cursed the world with this beautiful, stupendous creation, terrible in its simplicity, irresistible in its truth - a world which now trembles before the King in Yellow. The weird tales in this slim volume are all linked by a play, the second act of which reveals truths so terrible and beautiful that it drives all who read it to despair: The King in Yellow .

This audiobook is narrated by an AI Voice. One of the stranger pieces in landmark collection The King in Yellow, this is not a conventional story but a sequence of brief, dreamlike prose poems. Across fragments bearing titles like "The Studio," "The Phantom," "The Sacrifice," and "Destiny," a...

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

The King in Yellow is a collection of short stories - mysterious, macabre, and endearing by turns. The work has been linked to H. P. Lovecraft, with the titular entity forming a part of the extended Cthulhu mythos. The first three stories are darkly suspenseful and linked by the mysterious Yellow Sign and the malevolent King in Yellow. These will please Lovecraft fans most of all, and the ghost stories will not disappoint. Also included in this collection are a war story and a strange romance, both of which intrigue and entertain.

America is fat and prosperous. We’ve warred with the world and come out on top. We’ve gotten rid of the riff-raff. A new era is arising, change is in the air, and to top it all off, the first Government Lethal Chamber is now open and ready for its first occupant. The future looks bright in 1895.

“Have you seen the Yellow Sign?” mumbles a cadaverous hearse driver with a soft, squishy head. He’s been skulking about Scott’s painting studio, where he and Tessie have been developing a tangled relationship between artist and model. But as this ever-present watchman resembling a coffin worm begins to distract Scott, his portrait of Tessie takes on a deathlike pallor. How can they forever rid themselves of this hearse stalker? And what precisely does he mean by a “Yellow Sign”?

Questa raccolta di dieci racconti fantastici, caratterizzati dal gusto per il soprannaturale, il mistico e il macabro, rievocano atmosfere vicine alle narrazioni di Edgar Allan Poe. Chambers ha lasciato il segno nella letteratura horror del Novecento e in particolare nel maestro del mistero e del terrore H.P. Lovecraft, che ha affermato: "Quest'opera raggiunge vertici straordinari di paura cosmica". Giustamente famosi sono i racconti che hanno come filo conduttore "Il Re Giallo", una fantomatica tragedia che induce alla pazzia tutti coloro che la leggono.

Released one year after the publication of The King in Yellow - a milestone of supernaturalfiction - Robert W. Chambers’ title story of this short-story collection isconsidered one of his finest weird tales. It is followed by a series ofromantic art nouveau stories. Chambers’ love of natural scenery, symbolicanimal figures, and ghostly imagery are on full display as he weaves hischaracters through these otherworldly tales.

What is the terrible secret at the heart of The King in Yellow? The forbidden play’s second act is said to drive all those who read it mad. And the sinister text casts its shadow of dread over Robert W. Chambers’s collection of weird, supernatural stories of the same name. Threaded with elements of fantasy, science fiction, the supernatural, and gothic horror, this cult classic continues to inspire the imagination of artists - from H. P. Lovecraft to the writers of HBO’s True Detective - and delight connoisseurs of the macabre.

Skillfully narrated by voice actor Mark Turetsky, The King in Yellow by Robert W. Chambers is a classic in the field of the supernatural. The series of 10 short stories is named after a fictional play of the same name which induces madness in the minds of those that read it. The Yellow King and Carcosa were often alluded to in a popular TV series True Detective, where evil and madness are often a theme.

The King in Yellow is a book of 10 classic short stories about the supernatural. The first four mention "The King in Yellow", a forbidden play which induces despair or madness in those exposed to it. The tales have a macabre undertone, focusing on characters that are inhabitants of the demi-monde.

The King in Yellow is a collection of 10 short stories on supernatural subjects first published 1895. The title refers to a mysterious play which causes derangement in the minds of those who read or see it, and which is mentioned in the first four stories.

Considered by many to be the father of supernatural fiction, Robert W. Chambers' work continues to influence writers today. Originally published in 1897, The Mystery of Choice brings together seven chilling tales, most of them set in Brittany. Distinguished by its atmospheric use of natural scenery, this important collection presents an author at the peak of his craft.

The King in Yellow is a book of short stories by the American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed horror stories, and the book has been described by critics such as E. F. Bleiler, and T. E. D. Klein as a classic in the field of the supernatural.

The Messenger is a chilling gothic tale by Robert W. Chambers, where reason and folklore collide in the shadow of history. As a rational American observer investigates a mysterious burial site, he uncovers the story of a long-executed traitor known as the Black Priest—a man branded in death, cursed in blood, and sworn to return if his remains are ever disturbed. What follows is a slow descent into unease: a skull that will not stay buried, a death’s-head moth appearing at windows and hearths, masked figures glimpsed in stormlight, and blood trails that defy explanation.

Todos los relatos del Rey de amarillo están conectados por un símbolo, por una maldad difícil de comprender: En la corte del dragón - vas a sentir un escalofrío cuando una voz de ninguna parte empiece a susurrar a tu alma La demoiselle d'Ys - Si Jeane te invita a ir a su castillo, quizás te lo deberías pensar... a lo mejor no te conviene El símbolo amarillo - ¿pueden los espíritus de un cementerio influenciar el arte de un pintor? La máscara - ¿cómo se podría conseguir una escultura absolutamente perfecta?

In the heart of Paris, amidst the bohemian world of artists and dreamers, a chilling tale of mystery and the macabre unfolds. Louis De Cressac, a gifted painter, lives a life of solitude and obsession, haunted by a dark legacy tied to the sinister Black King. When his friend, Jack Scott, visits, he is drawn into a world where art and the supernatural intertwine in terrifying ways.

There are books that haunt. The King in Yellow is one of them. First published in 1895, this cycle of four interlinked stories—The Repairer of Reputations, The Mask, In the Court of the Dragon, and The Yellow Sign—offers a view into a world just a shade off from our own. Beneath the surface of elegant prose and civil order lies something broken, something touched by madness, art, power—and something unspeakably strange. A book within the book, a play that should never be listened to, threads through each tale, leaving behind not answers, but echoes.

In a future America that feels eerily controlled, prosperous, and quietly altered, Hildred Castaigne walks the streets of New York with a secret he believes will reshape the world. Recovered from a past injury and newly filled with ambition, Hildred becomes obsessed with a forbidden book—The King in Yellow—a work whispered to corrupt the mind of any who read beyond its opening act. From that moment on, reality begins to shift.

When the brilliant sculptor Boris Yvain unveils a mysterious chemical solution capable of transforming living matter into flawless marble, what begins as a marvel of artistic preservation soon reveals something far more unsettling. Flowers, fish—even the fragile beauty of life itself—can be frozen into eternal perfection. But at what cost?