Showing results for "The Accompaniment" in All Categories

Music without words. Classical song accompaniments digitally recorded for you to practise and perform.An extensive catalogue will open shortly for our subscribers. In the meantime we hope you enjoy these few samples of our work.Podcast Websitehttps://classicalsongaccompaniments.buzzsprout.com

Now you can play your banjo along with this great American classic by Don McLean! In this lesson you will get a demonstration track, a “by ear” lesson, and a backing track for one low price. No more excuses for not singing and picking along with “Bye, bye, Miss American Pie....”

While there is officially no banjo on any well-known version of “Red Rubber Ball”, the song actually lends itself quite nicely to a bluegrass groove. This lesson starts off with a full demonstration of the song with the banjo part and then proceeds with a “by ear” lesson of the entire banjo part. At the end of the lesson you are given backing tracks to practice with and perform what you have learned.

If you have always wanted to know how to play the chords to “Mrs. Robinson” on the banjo, then this is the lesson for you! The lesson starts off with a full demonstration of the song with backing tracks followed by our now famous “by ear” lesson teaching you every lick and phrase using no print, tab, or video.

"Customized Songs, with the City as Accompaniment" is from the Arts section of The New York Times. It was written by Alex Vadukul and narrated by Fleet Cooper.

The colony world of Stittara is no ordinary planet. For the interstellar Unity of the Ceylesian Arm, Stittara is the primary source of anagathics: drugs that have more than doubled the human life span. But the ecological balance that makes anagathics possible on Stittara is fragile, and the Unity government has a vital interest in making sure the flow of longevity drugs remains uninterrupted, even if it means uprooting the human settlements.

This lesson teaches the actual piano part that John Legend played on his version of the song. This allows you to accompany either a singer or melody instrument with the same accompaniment part Legend used to accompany himself. These arrangements are called “Singer Pro” versions. This lesson includes a full demonstration of the piano part followed by a detailed note-by-note description of the arrangement, including fingering.

This is the actual piano part from the recording by Ged McMahon and Kaz Hawkins. In this lesson, you will learn the recorded piano hit to this minor blues hit without using music or video. The entire piano part is demonstrated at the beginning of the lesson and is then taught in two to four measure sections, describing every note and finger. Learning by ear helps you learn the song faster and you memorize it while you are learning it. This also helps you to pick out other songs by ear later.

This arrangement is loaded with not only a banjo solo of the song but sections where you play accompaniment. This gives you an opportunity to learn a useful rhythm pattern and a moveable chord shape to take you up and down the neck. It is a level two arrangement so it is suggested for second year banjo students. In this lesson, you are given a full demonstration of the song at two different speeds followed by a detailed “by ear” lesson over every lick of the arrangement. At the end of the lesson, there are backing tracks at two different speeds for you to practice and perform with.

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This Jimmy Durante hit makes a great level-one flat pick solo. You will also learn the chords, as well, and there is a full demonstration of the song before the phrase-by-phrase “by ear” lesson. At the conclusion of the lesson, you are given three different versions of the backing tracks for you, and maybe a friend, to play along with.

In this lesson, the student learns the accompaniment as well as the melody to “Hallelujah” by Leonard Cohen in two keys. A full demonstration of both keys is given followed by a detailed lesson on the arrangement using no print, tab, or video. The entire song is taught “by ear". Backing tracks for both keys are given to practice and perform with.