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Perfect for fans of Rachel Lynn Solomon, Mary H. K. Choi, and Alex Light! From the critically acclaimed author of Seven Percent of Ro Devereux comes another heartrending and nuanced novel about family, love, and the cost of ambition. “A compelling, beautifully drawn exploration into...

In this exhilarating conclusion to the critically acclaimed Luck Uglies series, the final battle between the Luck Uglies and the treacherous Fork-Tongue Charmers comes to Rye O’Chanter’s doorstep. Filled with adventure, humor, and a hint of magic, this middle grade fantasy series is an...

Trying to navigate her Indian world at home and the British world outside her front door, Anita Rani was a girl who didn't ­fit in anywhere. She was always destined to stand out: from playing Mary in her otherwise all white nursery nativity to growing up in '80s Yorkshire with her Punjabi family, spending evenings in the factory her parents owned whilst trying to ­figure out how best to get rid of hair that seemed to be growing everywhere.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.