Showing results for "The Descendants" in Horror

Did we need to hold a Halloween party? No, of course not. Was I going to anyway? You better freakin' believe it. I didn't even feel bad! We needed a break! Even if it was for a day, a healthy work-life balance was essential…even if it was holding a bloody Halloween party and the work was determining who was sucking the magic out of people like goddamn juice boxes.

It’s been eighteen years since the outbreak of “Infected” and the events from We’re Alive: A Story of Survival. Once an embattled “Colony” of survivors, the thriving stronghold of Westport celebrates the graduation of its latest class of Guardians, including Nicholas Tink. The son of the late great Saul Tink, Nick yearns to step beyond his father’s shadow and become a hero in his own right, a destroyer of the Infected.

L'histoire commence par un narrateur expliquant qu'il est sur son lit de mort et ressent le besoin de partager une histoire particulière avant de mourir. Il raconte l'histoire d'un vieil homme calme et légèrement fou qui vit dans le Gray's Inn avec son chat de compagnie. Le fou est hagard et hanté, paraissant plus âgé que son âge et terrifié par les cloches des églises. Un jeune homme nommé Williams (le narrateur) emménage dans l'auberge et essaie de se lier d'amitié avec le vieil homme et de lui faire partager ses connaissances. Il est révélé que l'homme est Lord Northam d'Angleterre.

"The Descendant" is a story fragment by American horror fiction writer H. P. Lovecraft, believed to have been written in 1927. It was first published in the journal Leaves in 1938, after Lovecraft's death. Inspiration: Lovecraft may have been referring to this attempt at a story when he wrote that he was "making a very careful study of London...in order to get background for tales involving richer antiquities than America can furnish."

The Descendant is a story fragment by American horror fiction writer H. P. Lovecraft, believed to have been written in 1927. It was first published in the journal Leaves in 1938, after Lovecraft's death.

"The Descendant" is a story fragment by American horror fiction writer H. P. Lovecraft, believed to have been written in 1927. It was first published in the journal Leaves in 1938, after Lovecraft's death.

Dark Magic comes at a cost, but Maeve Sinclair is willing to sacrifice more than just her Magic in exchange for freedom. She is the only witch with the ability to jump through minds. She and her magical world live in hiding on Earth, desperately waiting for the rise of the prophesied Dread Descendant. While praying for this Prince of Darkness to return them to their ancient home realm, the humans wage wars that threaten magic's very existence on Earth.

Contains books three and four of Descendants of the Fall. Age of Gods: Pursued by the inhuman Tangata, Lukys flees on foot through the wilderness. He and his companions make for the ocean, a stolen ship their only hope - but even that may prove fleeting. For should they reach the island of Perfugia, a war is brewing between the kingdoms of humanity. Dreams of Fury: On the distant shores of Perfugia, Lukys and Sophia have finally found sanctuary - and an unexpected power left by their ancestors. But their refuge cannot last.

Oraya, fille adoptive et humaine du roi vampire des Descendants de la nuit, a dû se créer une place dans un monde fait pour la détruire. Participer au Kejari, le légendaire tournoi organisé par la déesse de la Mort elle-même, représente sa seule chance de devenir autre chose qu'une proie. Face aux plus féroces guerriers venus des trois Maisons vampiriques, la victoire est loin d'être facile. Pour survivre, Oraya va devoir s'allier à un mystérieux rival : Raihn.

After stealing a powerful book—said to house the soul of the ancient witch Morgana—Hanna Lyons is tasked with the capture of the very man she took it from. In a race against time, she must discover the identity of the elusive Pied Piper, and find a way to destroy the book before catastrophe unfolds. As Hanna grapples with her inner demons, and discovers the truth of her own identity, she must learn to accept that sometimes the lines between good and evil aren’t always as black and white as they seem.