Showing results for "The End" in Classics

From the acclaimed master of action and suspense. The all-time classic. An airliner crashes in the polar ice cap. In temperatures 40 degrees below zero, six men and four women survive. But for the members of a remote scientific research station who rescue them, there are some sinister questions to answer – the first one being, who shot the pilot before the crash?

Chéri and its sequel, The End of Chéri, mark Colette’s finest achievements, in their brilliant, subtle, and frank investigations of love and power. Set in the Parisian demimonde in the last days of the Belle Époque, Chéri tells the story of Léa, a courtesan at the end of a successful career, and her lover, the beautiful but emotionally opaque Chéri. Chéri will soon enter into an arranged marriage, ending their six-year affair, which—they will each realize too late—has been the one real love of their lives.

A vibrant portrait of Edwardian England, Howards End examines personal relationships and conflicting values. The Schlegel sisters, Margaret and Helen, and their brother, Tibby, place their values in civilized living, music, literature, and conversation with their friends. The Wilcoxes, Henry and his children Charles, Paul, and Evie, are concerned with the business side of life and distrust emotions and imagination.

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice. When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated the count flees. To win her husband back again, Helena forms a daring and resourceful plan. A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

Spring 1905, England. When Helen Schlegel goes to stay at Howards End - the country home of the Wilcox family, her own life, along with that of her sister Margaret, is changed forever. This is the tale of three families at the beginning of the twentieth century: the rich Wilcoxes, the gentle...

Brought to you by Penguin. A classic espionage thriller from master storyteller Graham Greene. Carleton Myatt meets Coral Musker, a naïve English chorus girl, aboard the Orient Express as it heads across Europe to Constantinople. As their relationship develops, they find themselves caught up in...

Brought to you by Penguin. This Penguin Classic is performed by Kirsty Besterman, an experienced TV and theatre actress known for her leading role as Lady Macbeth in the National Theatre Tour, as well as a number of roles with Shakespeare's Globe and the RSC. 'January 22nd - Robert startles me...

In this dark, action-packed fourth book in the New York Times bestselling Dorothy Must Die series, Amy Gumm travels from Oz to the twisted land of Ev, where she fights to free Oz from evil once and for all. My name is Amy Gumm. You might remember me as the other girl from Kansas. When a tornado...

Ford Madox Ford's Parade's End tetralogy, written in the aftermath of World War I, was originally published in four parts in the 1920s: Some Do Not…; No More Parades; A Man Could Stand Up —; and Last Post. Highlighting the tension between traditional values and a rapidly changing social order in a world embroiled in war, the story details Tietjens' turmoils in both his personal life and on the warfront—and what follows when some of those struggles become one and the same.

Lanning “Lanny” Budd spends his first 13 years in Europe, living at the center of his mother’s glamourous circle of friends on the French Riviera. In 1913, he enters a prestigious Swiss boarding school and befriends Rick, an English boy, and Kurt, a German. The three schoolmates are privileged, happy, and precocious - but their world is about to come to an abrupt and violent end. When the gathering storm clouds of war finally burst, raining chaos and death over the continent, Lanny must put the innocence of youth behind him.

Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.

Henry Whalley is a true sailor, earning years of experience as a ship’s captain before his retirement. Faced with unexpected financial problems and a desire to help his married daughter earn her place in the world, Whalley is forced to sell his boat and buy his way back into service on a trade vessel. But Whalley is living so close to financial ruin that any small deviation from his course will put him over the edge . . . The End of the Tether is one of the many books that author Joseph Conrad wrote about sailors and the sea.

First published in 1910, this classic tale of three very different and socially distant families, whose lives intertwine through chance encounter, still has the power to move and entertain us. The passionate and artistic Schlegels, with their idealism and compassion find themselves inextricably linked with the pragmatic and capable Wilcox family, through a series of events which change the course of their lives forever.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist - all these narratives intersect at an estate called Howards End. The fate of this country home symbolizes the future of England in an exploration of social, economic, and philosophical trends during the post-Victorian era.

E.M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

E.M. Forster's Howards End is a vivid portrait of London's golden age, before World War I forever changed its values and culture. Forster brings the great city's upper classes to life, detailing their grandiose spending habits, popular fads, Monet and Debussy, the rise of feminism, and the beginnings of urbanization. More than a mere idealization of pre-war London, Howards End provides insightful commentary on the rapid societal changes that occurred at the onset of the 20th century. Masterfully blending the stories of three vastly different groups of people - the independently wealthy, educated Schlegels; the nouveau riche Wilcoxes; and the ambitious but struggling Leonard Bast - Forster weaves a wonderfully rich, unforgettably poignant novel.

Howard's End is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.

Between Conniston, of His Majesty's Royal Northwest Mounted Police, and Keith, the outlaw, there was a striking physical and facial resemblance. Both had observed it, of course. It gave them a sort of confidence in each other. Between them it hovered in a subtle and unanalyzed presence that was constantly suggesting to Conniston a line of action that would have made him a traitor to his oath of duty. For nearly a month he had crushed down the whispered temptings of this thing between them.

Avoided by the Coast Salish tribes for generations, Hurst Island is one of the last remnants of untracked wilderness on the British Columbia coastal frontier. Not yet overtaken by logging or commercial fishing, it is a final outpost where myth lives on, heedless of human progress or desire. As their boat sinks, Amy and Ian find themselves stranded on this island, unaware of what they are about to face.