Showing results for "The New Life" in World Literature

La Vita Nuova (pronounced [la ˈviːta ˈnwɔːva]; Italian for The New Life) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.

“A funny, heartfelt story about found family and seeing the silver lining in life. Fans of A Man Called Ove and Remarkably Bright Creatures will especially enjoy this new novel.”—Library Journal A zany case of mistaken identity allows a lonely old man one last chance to be part of a family...

Tech City: Society is obsessed with relentless progress and the possibility of eternal life. A woman and a man meet in waiting room, anticipating a procedure that will incorporate the latest science and technology into their minds and bodies, heightening their awareness and increasing their productivity. Years pass, their relationship deepens and fades, and they grow increasingly uncertain where the AI stops and where they begin. A romantic drama exploring the potentiality of transhumanism, Life Ever After is a rich listening experience that is at once naturalistic and poetic.

Jack Underwood's debut collection, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting...weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and current riots; the limits of masculinity and complexities of fatherhood; as well as uncanny, often amusing scenarios, such as serving drinks to a gathering of 15 babies or group kissing in Empathy Class.

"The Classic Collection of Dante Alighieri: The Divine Comedy, The New Life" offers listeners an exquisite journey through Dante's masterworks. This volume includes "The Divine Comedy," Dante's epic exploration of Hell, Purgatory, and Paradise, alongside "The New Life," a poetic reflection on his love for Beatrice.

Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. “If it keeps me awake,” says Marnie's husband Rob, a farmer, “I'll have to wring its neck.” But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is growing. Outside, in the pines, his father warns him of the wickedness wrought by humans. Indoors, Marnie confides in him about her violent marriage. The more Tama sees, the more the animal and the human worlds—and all the precarity, darkness and hope within them—bleed into one another.

It’s taken Chef Josie Babineaux six months to reconcile the debts left from her husband Brian’s gambling along with her broken heart. But now with a promising tourist season heating up and a travel magazine declaring her the spice queen of the bayou, she may be able to save her family’s historic Cajun restaurant. Repairing her relationship with her daughter, Minnow, while hiding the true reason she left her husband is a bigger issue.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

A dazzling debut about family, home, and grief, The Floating World takes listeners into the heart of Hurricane Katrina with the story of the Boisdores, whose roots stretch back nearly to the foundation of New Orleans. Though the storm is fast approaching the Louisiana coast, Cora, the family's fragile elder daughter, refuses to leave the city, forcing her parents, Joe Boisdore, an artist descended from a freed slave, and his white "uptown" wife, Dr. Tess Eshleman, to evacuate without her, setting off a chain of events that leaves their marriage in shambles and Cora catatonic.

Every year, Corrie Black ushers in the summer season by opening the campground's pool and hosting a private party for employees and friends. This year is no different—except for the corpse found floating on the surface the next day . . . It turns out that a bunch of graduating high school seniors snuck onto the grounds late that night for a little private party of their own. After arguing with both her current and past boyfriends, Krista Otero never made it home.