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Part novel, part philosophical treatise, part satire, Sartor Resartus is a masterpiece of 19th-century literature, following in the footsteps of Swift’s Tale of a Tub and Sterne’s Tristram Shandy and a key influence on Melville’s Moby-Dick. Bubbling over with ideas, humour and inventiveness, it is—on the surface—a long-suffering British editor’s skeptical account of a German philosopher’s book, Clothes: Their Origin and Influence, which itself is steeped in German idealism.

Sartor Resartus is one of the most unusual, even quirky, British novels to emerge from the first half of the 19th century. Published in 1836, its varied heritage reflects the earlier eccentricities of Sterne and Swift, mixed with influences from Goethe. Its subject matter is strange: it concerns a book called Clothes: Their Origin and Influence by one Diogenes Teufelsdröckh, a German philosopher. Though Thomas Carlyle became a household name in his lifetime, his comic novel Sartor Resartus would prove to have a lasting effect on contemporary writers.